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DEATH IN THE ANDES

An impressive panoramic portrayal of his native country is created with masterly economy in this intriguing political detective story by the celebrated Peruvian author (In Praise of the Stepmother, 1990; the autobiography A Fish in the Water, 1994, etc.). The story details the investigation performed in a remote Andean territory by two government Civil Guard officers: weary, cynical Corporal Lituma (who appeared in Vargas Llosa's Who Killed Palomino Molero?, 1987) and his young adjutant, Tomas Carreo. Three men have mysteriously disappeared and are presumed murdered. Suspicion falls initially on the Marxist Shining Path guerrillas, whose terrorist activities range from disrupting a star-crossed highway project to stoning innocent tourists to death. But Lituma also suspects a putative local "witch" and her Falstaffian husband (pointedly named Dionisio), rumored to practice both cannibalism and human sacrifice. The novel rockets energetically from one scene and set of characters to another, powered by Vargas Llosa's distinctive structural device: A story told by one character to another simultaneously presented through authorial omniscience in the present-tense. The guerrillas are observed from outside, and they prove all the more menacing and mysterious for that. Several subplots linger hauntingly in the memory, most notably those involving a woman environmentalist whose devotion to a variously funded reforestation plan brands her as an "intellectual who betrays the people," and a gentle retarded man who watches with horror as a herd of the vicueas he protectively tends is, for ostensibly political reasons, slaughtered. The vigorous, fractious narrative is skillfully unified by a painstakingly rendered contrast between its two major characters: Lituma's profane testiness is oddly engaging, as is his moonstruck partner's romantic fixation on a thug's mistress who has more than one surprise in store for her hopeful young lover. A terrific novel: dramatic and varied, rich in incident, characterization, and atmosphere, and disturbingly forthright in its political and human implications. One of Vargas Llosa's best books in years.

Pub Date: Feb. 1, 1996

ISBN: 0-374-14001-4

Page Count: 336

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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