Elegantly designed, this collaboration shows a great respect for children’s sensibilities regarding the fine lines between...
by Marion Dane Bauer & illustrated by John Shelley ‧ RELEASE DATE: Oct. 1, 2012
Veteran Bauer sends an intrepid trick-or-treater into a deliciously creepy forest full of fantastical frights and rattling menaces.
Any child with a sense of adventure, keen eye and touch of courage will eagerly follow the unmetered rhyming text that takes this black-caped child deep into a forest of bones on Halloween. The verse propels both the character and readers forward through each taunting spread. “Bat bones, / cat bones, / rat bones and all are / looking at / YOU.” “Take care! / Beware! / Despair! / You can bet / you’ve just met / your worst nightmare!” But the observant explorer carefully sidesteps such scariness and instead shouts “ ‘BOO!’ / or ‘POOH!’ / or even ‘WAHOO!’ ” and then dramatically reveals a skeleton costume underneath the cloak. Now the skeletal creatures turn from frightening to welcoming as the child raises a bright orange sack declaring, “Trick or treat! / Smell my feet! / Give me something / good to eat!” Shelley’s superbly detailed illustrations in pen, India ink and watercolor help build suspense as the child goes from the city into the intricately twining bony landscape. A dusky palette dominated by grays and muted pastels turns brighter when the child’s spunky confidence is revealed.
Elegantly designed, this collaboration shows a great respect for children’s sensibilities regarding the fine lines between fear, fun and bravery. This title should be at the top of the book pile come autumn. (Picture book. 3-6)Pub Date: Oct. 1, 2012
ISBN: 978-0-8234-2324-8
Page Count: 32
Publisher: Holiday House
Review Posted Online: July 18, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Categories: CHILDREN'S HOLIDAYS & CELEBRATIONS
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PERSPECTIVES
by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 2, 2021
Categories: CHILDREN'S HOLIDAYS & CELEBRATIONS | CHILDREN'S SOCIAL THEMES
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edited by Eric Carle
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by Eric Carle ; illustrated by Eric Carle
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 2, 2021
Categories: CHILDREN'S CONCEPTS | CHILDREN'S HOLIDAYS & CELEBRATIONS
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by Drew Daywalt ; illustrated by Oliver Jeffers
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