by Marion Dane Bauer & illustrated by Kevin Hawkes ‧ RELEASE DATE: April 1, 2000
A child finds courage in a cookie and exacts sweet revenge on a pesky big brother, in this triumphant tale. Jason dotes on “the big of bears, the brave of bears, the nobodybettermesswithme of bears”—until brother Kurt tells him about the toenibbling bear in the back yard, the one in the basement that likes noses, and the big one right under his bed. However, Kurt's effort to cap the head game with a fierce looking gingerbread bear (recipe included, happily) backfires. Jason's fear disappears with the cookie, and as he chomps, off he stomps to roust out the lurking beasts. Lighting his scenes to create dark corners and looming shadows, Hawkes (Weslandia, 1999, etc) not only captures Jason's intense, though temporary, anxiety, but also provides actual bears for him to chase away—or in the case of the one under his bed, to suggest a move to under Kurt’s. Children, especially those with overactive imaginations, will be cheered by Jason's refound boldness, and will understand perfectly well from whence it really springs. (Picture book. 68)
Pub Date: April 1, 2000
ISBN: 0-7868-0356-8
Page Count: 32
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2000
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by Laufey ; illustrated by Lauren O'Hara ‧ RELEASE DATE: April 21, 2026
A reassuring riff on embracing imperfections.
A young rabbit frets about her upcoming violin performance in Icelandic singer-songwriter Laufey’s literary debut.
Mei Mei’s dream—“to share her music with the world”—is about to come true. She’s having her very first recital, complete with an orchestra, at the H’Opera House. But the day before the concert, Mei Mei is racked with anxiety. What if she plays a bum note in front of everyone? Sure enough, the worst happens mid-performance: She hits a clinker. But by remembering her mom’s reassuring sentiments from the night before (“Feel the wind…find the notes to make it right”), Mei Mei summons the strength to soldier on, and “wrong notes become right. Dissonance becomes beautiful.” At times, it all feels more like a resilience parable than a story, and the writing can be precious (“The flutter of butterflies wakes Mei Mei from her slumber”). Still, the message is solid, bolstered by O’Hara’s pencil and watercolor illustrations, which are plush-toy soft—fitting, as even prior to this book’s publication, a stuffed Mei Mei has been for sale at Grammy winner Laufey’s website. The tale features an all-animal, all-adorable cast, and endearingly, the art betrays no hint of modern times. A standout image presents Mei Mei onstage, temporarily incapacitated by her mistake and imagining her fellow musicians and their instruments with the color-blasted menace of an expressionist painting.
A reassuring riff on embracing imperfections. (author’s note, glossary) (Picture book. 3-7)Pub Date: April 21, 2026
ISBN: 9798217051748
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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