A complex and often engaging novel about temptation and ethical quandaries.
In Ehrenberg’s debut novel, a doctor and patient adapt to their changing circumstances by finding solace in each other.
Seasoned clinical psychologist Avery Frontiera has a new, court-ordered patient, Clare Thomas Lane, who loves breaking rules, struggles with kleptomania, and would rather be anywhere but a therapist’s couch. The strict boundaries of the psychologist-patient relationship are blurred from their very first session, when Clare finds Avery’s negative pregnancy test in the private office bathroom. Despite this unorthodox beginning, they make progress and begin to trust and even like each other in the ensuing months. Clare gains insight into her compulsion to steal, addresses the early loss of her mother, and deals with her biological father’s rejection through various methods, including dream analysis, free association, and art therapy; Ehrenberg’s handling of the psychoanalysis process in these scenes is expert and delicate. As Avery goes to her own therapy sessions, readers learn about her miscarriage years before and her haunting suspicion that her husband, Roland, was actually relieved by it and may be hiding something from her. She and Clare learn a lot from each other as they go through life-changing transformations, but they can only interact during their 50-minute sessions. When Clare brings in a positive pregnancy test as her “show and tell” item of the week and asks Avery to adopt her baby, their relationship is put to the test—as Avery is considering saying yes even though it could jeopardize her career. Over the course of the novel, Ehrenberg expertly orchestrates several different characters and plotlines, which all meet in a surprising place; she also ably gives even the most unlikable characters sympathetic qualities. At times, the narrative feels slow and slightly unfocused as it bounces among Avery’s, Clare’s, and Roland’s stories, and the ending feels a little too tidy and optimistic. Overall, though, this is a strong character study about how people react when backed into a corner.
A complex and often engaging novel about temptation and ethical quandaries.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Manuscript
Review Posted Online: Feb. 12, 2021
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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