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IN THE RIFT

VOL. II OF GLENRAVEN

A second in the Glenraven series by Bradley (Lady of Avalon, 1997, etc.) and paperback author Lisle. Kate, a young woman in a small North Carolina town, comes into possession of a magical book that links her to the alternate world of Glenraven. Four denizens of that world, only one really human in appearance, arrive in her front yard. Kate kills the monster pursuing them, then learns that both Earth and Glenraven are in danger and must unite against the enemy. The Glenraven exiles help Kate defeat local thugs who attack because of her Wiccan religion; at the same time, she and Rhiana, the most human of the visitors, explore her latent magical talents. Meanwhile, in Florida, Callion, an exiled wizard from Glenraven, plots his takeover of Earth. Kate and the exiles travel to confront him, with the more alien-looking Glenraveners pretending to be costumed science fiction fans. (This, plus comparisons of our world and the quasi-medieval society of Glenraven, provides a fair amount of humor.) Callion, we learn, has an evil entity in captivity—one that feeds on human flesh. We also learn that one of the exiles is a traitor, seeking to make common cause with Callion to return to Glenraven and seize power. With each of the aliens having a separate agenda, and with Kate becoming more and more alienated from her own society, the tension builds until the confrontation with the wizard. There are a few satisfactory twists of plot before Kate manages to defeat the evil wizard—a triumph that is as much a victory over herself as over the external enemy. A smoothly plotted fantasy, with a strong woman protagonist, that should appeal to fans of both authors.

Pub Date: April 1, 1998

ISBN: 0-671-87870-0

Page Count: 288

Publisher: Baen

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1998

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THE NIGHT CIRCUS

Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.

Self-assured, entertaining debut novel that blends genres and crosses continents in quest of magic.

The world’s not big enough for two wizards, as Tolkien taught us—even if that world is the shiny, modern one of the late 19th century, with its streetcars and electric lights and newfangled horseless carriages. Yet, as first-time novelist Morgenstern imagines it, two wizards there are, if likely possessed of more legerdemain than true conjuring powers, and these two are jealous of their turf. It stands to reason, the laws of the universe working thus, that their children would meet and, rather than continue the feud into a new generation, would instead fall in love. Call it Romeo and Juliet for the Gilded Age, save that Morgenstern has her eye on a different Shakespearean text, The Tempest; says a fellow called Prospero to young magician Celia of the name her mother gave her, “She should have named you Miranda...I suppose she was not clever enough to think of it.” Celia is clever, however, a born magician, and eventually a big hit at the Circus of Dreams, which operates, naturally, only at night and has a slightly sinister air about it. But what would you expect of a yarn one of whose chief setting-things-into-action characters is known as “the man in the grey suit”? Morgenstern treads into Harry Potter territory, but though the chief audience for both Rowling and this tale will probably comprise of teenage girls, there are only superficial genre similarities. True, Celia’s magical powers grow, and the ordinary presto-change-o stuff gains potency—and, happily, surrealistic value. Finally, though, all the magic has deadly consequence, and it is then that the tale begins to take on the contours of a dark thriller, all told in a confident voice that is often quite poetic, as when the man in the grey suit tells us, “There’s magic in that. It’s in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict.”

Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.

Pub Date: Sept. 13, 2011

ISBN: 978-0-385-53463-5

Page Count: 384

Publisher: Doubleday

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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A QUEEN IN HIDING

A new series starts off with a bang.

A queen and her young daughter are forced to separate and go into hiding when a corrupt politician tries to take over the kingdom.

Queen Cressa of Weirandale is worried about her 8-year-old daughter, the “princella” Cerúlia. The people of Weirandale worship a water spirit, Nargis, who grants each queen a special gift called a Talent. Cressa herself is able to meddle with memories, for example, and her mother possessed supernatural strategic abilities that served her well in battle. Cerúlia, however, appears to have none, because surely her insistence that she can talk to animals is only her young imagination running wild. When Cerúlia’s many pets warn her about assassins creeping into the royal chambers, the girl is able to save herself and her mother. Cressa uses her Talent, which actually extends to forcing anyone to tell her the truth, to root out traitors among the aristocracy, led by the power-hungry Lord Matwyck. Fearing for her daughter’s life and her own, Cressa takes Cerúlia and flees. Thinking Cerúlia will be safer away from her mother, Cressa takes the girl to a kind peasant family and adjusts their memories so they believe Cerúlia is their adopted daughter. Kozloff’s debut is the first of four Nine Realms books, and Tor plans to publish them over just four months. Luckily, the series opener is a strong start, so readers will be grateful for the short wait before Book 2. Kozloff sets a solid stage with glimpses into other characters and nations while keeping the book together with a clear, propulsive plot.

A new series starts off with a bang.

Pub Date: Jan. 21, 2020

ISBN: 978-1-250-16854-2

Page Count: 496

Publisher: Tor

Review Posted Online: Sept. 29, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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