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A GOOD HAPPY GIRL

Full of desire but somewhat lacking in passion. Nevertheless, a provocative read.

A troubled woman, haunted by the abuses of her past, attempts to build a future that includes both punishment and forgiveness.

Helen is in her 30s, working as a low-level attorney in Boston; she often uses the office as a set for her side project running “a private social media account where [she] stream[s her] feet for women.” While the foot-fetishist camming site does occasionally lead to in-person meetups, at the novel’s opening Helen is in the market for a longer-term arrangement with Catherine and Katrina—or “the wives”—a married couple she met through an app dedicated to erotic role-play. Helen requests that the wives “mother [her] meanly,” and the symbiotic interplay they create among control, nurture, sexual pleasure, and pleasurable sexual pain fulfills the needs of all three partners. In many ways this seems like an ideal situation for Helen, whose online activities may be revealed to a decidedly un-kink-friendly IT department at work, but Helen’s past trauma reflects on every part of her present life, including her ability to envision the future. While Helen was in college, her parents were convicted and jailed in a horrific case of elder abuse that left her grandmother near death. Helen visits her grandmother in the nursing home regularly, but she’s also in contact with her father, who wants her to be a character witness to help him get parole. Torn between the desires to punish and please her father, Helen’s self-destructive tendencies threaten to destabilize every relationship she has built, including the one she has established with herself. Helen and the wives are compelling characters whose desires—even at their most macabre—stem from relatable places. However, while the book as a whole creates a moving portrait of Helen’s suffering and the potential for healing she finds in the “warm cruelty” of her chosen family, the overly technical depictions of the novel’s many sexual encounters strip away a sense of authentic passion. The result is a stilted distance in the very scenes where the prose should rise to a fever pitch, robbing them of their power.

Full of desire but somewhat lacking in passion. Nevertheless, a provocative read.

Pub Date: April 2, 2024

ISBN: 9781646221974

Page Count: 256

Publisher: Catapult

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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