Next book

THE LIGHTNING BOTTLES

A literary misfire soaked in 1990s musical nostalgia.

A reviled musician chases clues that her former bandmate and husband is alive and searches for him, accompanied by an unexpected party.

In 1999, 17-year-old Henrietta Vögel listens to a radio broadcast commemorating five years since Elijah Hart, “front man of the multiplatinum-selling husband-and-wife duo, the Lightning Bottles,” disappeared in Iceland. Jane Pyre, Elijah’s disgraced bandmate and wife, arrives in rural Wölf, Germany, and discovers that the secluded farmhouse she purchased as an escape has a close neighbor—none other than Hen, who insists that Elijah is alive and trying to communicate with Jane via street art, convincing Jane that they have to follow the clues in the art to find him. Lengthy flashbacks that start 10 years earlier show Elijah and Jane, born Janet Ribeiro, bonding and falling in love from 2,400 miles apart via music-focused BBS chat rooms and lengthy letters. Jane travels to Seattle to be with Elijah and they form the Lightning Bottles, though their romance and rise to fame are plagued by friendship drama, family tragedy, sexism against Jane, a legal battle over song ownership, and addiction. Some readers might be pleased to recognize real influential people (William Orbit, Steve Albini, a female musician clearly based on Sinéad O’Connor) and places (Sin-é, Central Saloon) in the Seattle music scene of this era. The costs of fame, especially addiction, are huge themes throughout the book, so it’s unfortunate that the writing around addiction is grating. The pacing of the novel is also terrible—the improbable scavenger hunt in the late 1990s is overshadowed by the sections charting the Lightning Bottles’ rise to and fall from fame, and multiple major would-be conflicts or revelations are summarized and resolved in mere paragraphs. Readers looking to indulge their nostalgia may find something worth discovering in these pages; anyone searching for quality prose should look elsewhere.

A literary misfire soaked in 1990s musical nostalgia.

Pub Date: Sept. 24, 2024

ISBN: 9781668015766

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 46


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 46


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 423


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 423


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Close Quickview