FALL COMES FROM THE FOREST

A surprising and beautiful novel about the desire for more.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

The tug between the old world and the new is explored in Katiliškis’ novel, first published in Lithuanian in 1957 and now translated into English by Šležas.

The author presents readers with an ensemble of characters, led by the older Petras the Red and the younger Tilius, who begin the novel in a kind of harmony, working together as loggers in Lithuania. Tilius is in love with Agnė, the 17-year-old daughter of Veronika Gužienė who runs the store where the loggers gather for drinks after a hard day’s toil. The passages describing Agnė, and the clandestine yet innocent meetings between the two lovers on a bridge (“The wind ruffled the puddles of water and, keeping low to the ground, came racing from a far-off land”), are some of the most stunning in the novel. Tilius’ desire for more from life, for “something better,” and the uncertainty that stems from this is explored in numerous ways. One is through frequent references to the tension between those working the land and those linked to office work and government. Another comes from Tilius’ meeting with Doveika’s wife; expecting a woman as old as her husband, Tilius instead finds Monika Doveikienė, an attractive young woman with whom he soon begins an affair. The contrast between the seductive Monika and the seemingly naïve Agnė, and how Tilius and Monika hoodwink the elderly Doveika, becomes gripping in the novel’s second half. Though Katiliškis’ prose is lyrical and powerfully descriptive, it’s verbose in a way that muddles the events of the novel, particularly in the first half. However, this isn’t necessarily fatal, as the fresh language makes the book consistently compelling.

A surprising and beautiful novel about the desire for more.

Pub Date: N/A

ISBN: 978-0-9966304-9-8

Page Count: 424

Publisher: Pica Pica Press

Review Posted Online: July 30, 2022

THE BOARDWALK BOOKSHOP

A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.

Three woman who join together to rent a large space along the beach in Los Angeles for their stores—a gift shop, a bakery, and a bookstore—become fast friends as they each experience the highs, and lows, of love.

Bree is a friendly but standoffish bookstore owner who keeps everyone she knows at arm’s length, from guys she meets in bars to her friends. Mikki is a settled-in-her-routines divorced mother of two, happily a mom, gift-shop owner, and co-parent with her ex-husband, Perry. And Ashley is a young, very-much-in-love bakery owner specializing in muffins who devotes herself to giving back to the community through a nonprofit that helps community members develop skills and find jobs. When the women meet drooling over a boardwalk storefront that none of them can afford on her own, a plan is hatched to divide the space in three, and a friendship—and business partnership—is born. An impromptu celebration on the beach at sunset with champagne becomes a weekly touchpoint to their lives as they learn more about each other and themselves. Their friendship blossoms as they help each other, offering support, hard truths, and loving backup. Author Mallery has created a delightful story of friendship between three women that also offers a variety of love stories as they fall in love, make mistakes, and figure out how to be the best—albeit still flawed—versions of themselves. The men are similarly flawed and human. While the story comes down clearly on the side of all-encompassing love, Mallery has struck a careful balance: There is just enough sex to be spicy, just enough swearing to be naughty, and just enough heartbreak to avoid being cloying.

A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.

Pub Date: May 31, 2022

ISBN: 978-0-778-38608-7

Page Count: 352

Publisher: Harlequin MIRA

Review Posted Online: March 15, 2022

Kirkus Reviews Issue: April 1, 2022

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Prize
  • Kirkus Prize
    finalist


  • New York Times Bestseller

THE HEAVEN & EARTH GROCERY STORE

If it’s possible for America to have a poet laureate, why can’t James McBride be its storyteller-in-chief?

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Prize
  • Kirkus Prize
    finalist


  • New York Times Bestseller

McBride follows up his hit novel Deacon King Kong (2020) with another boisterous hymn to community, mercy, and karmic justice.

It's June 1972, and the Pennsylvania State Police have some questions concerning a skeleton found at the bottom of an old well in the ramshackle Chicken Hill section of Pottstown that’s been marked for redevelopment. But Hurricane Agnes intervenes by washing away the skeleton and all other physical evidence of a series of extraordinary events that began more than 40 years earlier, when Jewish and African American citizens shared lives, hopes, and heartbreak in that same neighborhood. At the literal and figurative heart of these events is Chona Ludlow, the forbearing, compassionate Jewish proprietor of the novel’s eponymous grocery store, whose instinctive kindness and fairness toward the Black families of Chicken Hill exceed even that of her husband, Moshe, who, with Chona’s encouragement, desegregates his theater to allow his Black neighbors to fully enjoy acts like Chick Webb’s swing orchestra. Many local White Christians frown upon the easygoing relationship between Jews and Blacks, especially Doc Roberts, Pottstown’s leading physician, who marches every year in the local Ku Klux Klan parade. The ties binding the Ludlows to their Black neighbors become even stronger over the years, but that bond is tested most stringently and perilously when Chona helps Nate Timblin, a taciturn Black janitor at Moshe’s theater and the unofficial leader of his community, conceal and protect a young orphan named Dodo who lost his hearing in an explosion. He isn’t at all “feeble-minded,” but the government wants to put him in an institution promising little care and much abuse. The interlocking destinies of these and other characters make for tense, absorbing drama and, at times, warm, humane comedy. McBride’s well-established skill with narrative tactics may sometimes spill toward the melodramatic here. But as in McBride’s previous works, you barely notice such relatively minor contrivances because of the depth of characterizations and the pitch-perfect dialogue of his Black and Jewish characters. It’s possible to draw a clear, straight line from McBride’s breakthrough memoir, The Color of Water (1996), to the themes of this latest work.

If it’s possible for America to have a poet laureate, why can’t James McBride be its storyteller-in-chief?

Pub Date: Aug. 8, 2023

ISBN: 9780593422946

Page Count: 400

Publisher: Riverhead

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

Close Quickview