by Marjorie Garber ‧ RELEASE DATE: March 29, 2011
Chockablock with examples and in-depth analysis, this can be savored by academics and lay readers alike.
In a cogent study, Shakespeare expert Garber (Visual and Environmental Studies/Harvard Univ.; Shakespeare and Modern Culture, 2008, etc.) wonders: Why read literature?
The ancient debate rages on: What is the purpose of literature? Does reading make us better citizens, or is literature’s overall meaninglessness its greatest purpose? And what is literature anyway? Garber sifts through the salient arguments by writers over the centuries—including, among dozens of others, Plato, Horace, Shakespeare, Wilde, Marx and Václev Havel—to get at the deep-seated controversy involving literature’s contribution to human edification. The author ultimately champions a work’s sheer ability to get a rise out of the reader, to evoke questions and prompt risky, slippery, active responses. She looks at the so-called “canon” and how it has changed over time, not only in terms of who is included (e.g., the changing fortune of John Donne), but what passes for worthy literature—a ballad, a diary, a sexy novel like Lolita? Garber considers whether the study of literature actually kills the pleasure of reading for the ordinary reader, how reading a poem closely can relay the startling inspiration experienced by the author (and maybe change the world), how a work withstands the scrutiny of time (“literature is always contemporary because it is read by contemporary readers”) and whether it matters that a work purporting to be “real” (such as a biography that slips into literary projection) turns out to be pure fiction. Finally, the author attempts a valiant resurrection of the well-turned metaphor—the “imaginative leaps” that actually render meaning—and the not-terribly-reassuring conclusion that the process of reading simply defies closure: “never ending, always opening outward into another scene.”
Chockablock with examples and in-depth analysis, this can be savored by academics and lay readers alike.Pub Date: March 29, 2011
ISBN: 978-0-375-42434-2
Page Count: 352
Publisher: Pantheon
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: Jan. 15, 2011
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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