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SUMMER AT TIFFANY

A fond backward glance.

Manhattan during the summer of 1945, as the author remembers it.

The country was at war, food was rationed and money was tight, but University of Iowa coeds Marjorie Jacobson (now Hart) and Marty Garrett somehow scraped together $40 each to buy roundtrip train tickets so they could spend a summer in New York. On arrival, the Midwestern beauties sublet an apartment in Morningside Heights and landed jobs as pages at Tiffany & Co. Never before had the venerable store hired young women to run errands from the sales floors to the mysterious upper reaches of the fabled Fifth Avenue emporium, but during wartime, everyone had to sacrifice. The discreet tap of a salesman’s diamond ring (they all sported one) against a glass display case would set Marjorie and Marty, wearing silk dresses that matched Tiffany’s trademark blue, skittering in high heels across polished floors. Between assignments, they watched for celebrity shoppers. Who could be next? Judy Garland and Vincente Minnelli? Marlene Dietrich? The Duke of Windsor? In the evenings and on weekends, the wide-eyed yet commonsensical duo embraced all that 1945 New York had to offer: the Stork Club, The Glass Menagerie and Carousel on Broadway, ice cream sundaes at Schrafft’s. Midshipmen escorted them to Jack Dempsey’s and to Greenwich Village eateries. Kindly neighbors invited them over for lemonade and musical evenings at which Marjorie played the cello. Along the way, they developed crushes on men in uniform and endured such mild work traumas as a string of pearls coming undone in an elevator, but the undoubted highlight of their summer was joining two million other revelers in Times Square on August 14 when Truman announced victory in Japan. The 82-year-old author’s memories have been polished smooth over the course of six decades, and her warm account of more innocent times makes an unspoken comparison with the way we live now.

A fond backward glance.

Pub Date: April 1, 2007

ISBN: 0-06-118952-9

Page Count: 272

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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