A satisfying story of love, family, and creativity.
Matthews’ novel tells the stories of two lives, mostly running in parallel but intersecting at key points.
Paul Rideau and Amy Barnes first connect briefly on a fall day in 1960 in Lisbon, Vermont, when he’s 9 and she’s 7. The Barnes family, from Hawaii, is visiting friends in the area. Then their lives diverge; he grows up on his family’s farm in Lisbon, while Amy, aside from a year in Connecticut, grows up in the Aloha State. In alternating sections following a nonlinear timeline spanning decades from 1960 to 2002, Matthews slowly reveals each character’s story. Paul marries his high school sweetheart, Sarah, and takes over the family farm, and theirs is a happy, busy life—with little room for Paul’s artistic interests. Amy is swept off her feet by Martin Whaley, a poet and faculty member at New Hampshire’s Stafford College; however, her creative writing is sublimated during their marriage, which is troubled. Throughout, Paul’s and Amy’s lives come close to connecting in various locations, including Chicago and Disneyland in Anaheim, California. Both experience milestones and painful events as their relationships with family members and friends develop and mature, and Paul and Amy’s love of artistic endeavors ends up changing both their lives. Overall, Matthews’ character-driven narrative sparkles with well-drawn protagonists and believable situations as Paul and Amy absorb society’s narrow expectations for men and women in the early ’60s. For example. Paul has an interest in art and color, but his father makes his opinion clear when his 9-year-old son is decorating Christmas cookies: “Coloring cookies when he could be out sledding? Seems pretty girly to me.” Tween Amy’s teacher tells her to cover up her body as much as possible in public: “You’ll be telling the boys you’re not the kind of girl who welcomes crude remarks and inappropriate attention.” In the end, this rewarding story successfully weaves disparate perspectives into a rich braid.
A satisfying story of love, family, and creativity.Pub Date: March 26, 2024
ISBN: 9781578691623
Page Count: 258
Publisher: Rootstock Publishing
Review Posted Online: Feb. 1, 2024
Kirkus Reviews Issue: March 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
