by Mark A. Johnson ‧ RELEASE DATE: Dec. 6, 2018
A fascinating although occasionally stilted setting of old-fashioned Midwestern faith in a wider modern context.
This second book in Johnson’s (Encountering God, 2015, etc.) trilogy revolves around the correspondence between his parents during their courtship in 1930s Colorado and North Dakota.
The news of the day was considerably dark: Armies were moving in Europe, and the shadow of unprecedented economic hardship stalked America. Young Walter Johnson and Margaret had recently become engaged but were far apart from each other, connected mainly by two things: the post and their shared Christian faith. Their letters are unrelentingly, almost endearingly somber, full of earnest professions of mutual devotion and copious quotations from Scripture. As in the trilogy’s first book (thanks to Johnson’s skillful editorial presence, any new readers can start with this volume and not feel like they’re missing anything), the mood of intense young love is lightened occasionally with talk of potatoes, livestock, and the low-key but persistent pleasure both Walter and Margaret obviously took in the beauty of their natural surroundings. But their main concentration in these letters was decidedly otherworldly. Each began almost every letter with a quote from Scripture, proceeded with frequent allusions to their faith (Margaret took the lead here), and closed with a blessing. It’s not empty piety. Their conviction was obvious, and it’s balanced by a good deal of pragmatic detail, but both the letters themselves and Johnson’s lengthy interpolations leave no doubt: This is as much a Christian colloquy as it is an epistolary memoir. “I am glad the future is veiled,” Margaret wrote in a March letter. “I used to long to know, but God has led me thus far, and He will continue to do so if I but put my trust in Him.” This amount of stiff piety can make for occasional tough going. The Scopes Monkey Trial was still a living memory for Walter and Margaret, and the state of their world—with Nazis abroad and Depression at home—gave them the feeling of a radically unstable world for their faith and perhaps a concomitant urge to overcompensate (at one point Walter confesses that he can’t always think of a Scripture passage to start a new letter, for instance, and then immediately writes that when he’s stuck, he prays about it, and God suggests something). Curiously, the book’s main strength comes from Johnson’s decision to broaden and deepen this questioning in his editorial commentaries on his parents’ lives and faith. He respects the fundamentalist simplicity of their beliefs but also gently interrogates it. He adds welcome texture to their literal biblical faith, expanding on their views with discussions of metaphorical interpretations of things like Noah’s Flood or the Tower of Babel and contemporary concerns like climate change or the threat of nuclear war. Johnson sees the faith of his parents as a main theme in their courtship, and his own views of the separate “magisteria” of science and faith make for every bit as interesting reading. Includes black-and-white photos of the letters.
A fascinating although occasionally stilted setting of old-fashioned Midwestern faith in a wider modern context.Pub Date: Dec. 6, 2018
ISBN: 978-1-945976-05-6
Page Count: 444
Publisher: EA Books, Inc.
Review Posted Online: Dec. 20, 2018
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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