A direct and no-nonsense manual to help young people navigate the world of intimacy.

SEX AND ROMANCE

From the Lifetime of Learning series , Vol. 3

A guide for adolescent readers explores the intricacies of sex and romance.

Alexander’s (Creating Your Life, 2018, etc.) compact manual acknowledges at the outset that there’s often a problem with the way young people are instructed about the two subjects that excite their curiosity the most: sex and love. As the author points out, they are often given stern warnings and vague generalizations but nothing specific or helpful. His book attempts to rectify this problem, laying out clearly worded basics on everything from sex to dating to marriage to the fundamental differences—biological, mental, and emotional—between boys and girls. At every stage of the guide, Alexander takes a step back in order to look at the big picture of what he’s discussing, and, as in his other books, he then shapes the outlines of that picture with the Socratic method of asking a series of clarifying questions. Under the heading of maintaining healthy communications in marriages and long-term relationships, for example, readers are asked, “Do you actively listen to your beloved? Do you maintain eye contact and respond thoughtfully? Do you and your beloved engage in regular activities together? Do you share pleasures?” At the heart of Alexander’s comments about sex is his insistence that it is an intoxicant, something that can impair judgment as certainly and negatively as alcohol. His call to action is the same here as in his other manuals: “Are you ready to do the hard work of transforming yourself into a different kind of person?” The advice in these pages is generally keen and perceptive, although there are odd lapses, particularly in the chapter “What Girls Should Know About Boys,” which delivers a long string of oddly ad hominem generalizations about boys—that they have little problem forgetting about girls immediately after sex; that they don’t perceive indirect communication; etc. Parents of boys will likely find these kinds of assertions confusing. But the bulk of the guide’s advice is invaluable, particularly for young readers in search of clear answers.

A direct and no-nonsense manual to help young people navigate the world of intimacy.

Pub Date: Jan. 22, 2015

ISBN: 978-1-937597-22-1

Page Count: 160

Publisher: The School of Pythagoras

Review Posted Online: July 26, 2018

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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