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D.A.

PROSECUTORS IN THEIR OWN WORDS

Baker, author of half a dozen books (Bad Guys, 1996; Sex Lives; 1994, Cops, 1985; etc.) has given us the frank, often brutal views of cops and criminals on life and the criminal justice system. Here, he offers the similarly direct perspectives of prosecutors on the same subject. Baker relies on interviews with dozens of prosecutors from rural and suburban jurisdictions and big cities. Prosecutors in all settings have strikingly similar experiences: Though the majority of cases are routine, they present human nature at its worst, and prosecutors, after years of exposure to this stuff, take a grim and often cynical view of human beings (one assistant district attorney’s description of the job as “a lot like being on an assembly line” is particularly memorable). Baker probes his subjects’ outlooks on why they became prosecutors (hint: not money or prestige), the hardball trial tactics, the tremendous workloads, the often insane pressures of the job, and the enormous power that prosecutors have to transform peoples’ lives. The picture that emerges is gritty but often admirable: Baker’s subjects seem generally dedicated, mostly concerned with using their power wisely and fairly, and usually mindful of the criminal justice system’s many imperfections. But they’re human, and by interviewing members of the defense bar and judges, Baker is able to expose prosecutorial self-righteousness and pusillanimity when he finds it, with most sins coming under the rubrics of the “big head” (arrogance and abuse of the prosecutor’s discretionary power) and the “weak backbone” (caving in to political pressure). In the end, though a few of Baker’s subjects like the job well enough, most are driven to seek more sedate employment by what can only be called burnout: exhaustion, disgust with the endless parade of evil, and a desire to see good in human beings again all play their part. Stark and direct, Baker’s interviewees present a compelling, unvarnished look at the grim reality of America’s criminal justice culture.

Pub Date: June 1, 1999

ISBN: 0-684-83156-2

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1999

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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