An object lesson in how to take an established series into shockingly deep waters without losing the thread that keeps the...
DI Tom Thorne (The Killing Habit, 2018, etc.) is convinced that a woman who threw herself under a train at the Highgate station wasn’t a routine suicide. He’s absolutely right, but not at all for the reasons he thinks.
Mary Fulton knows perfectly well why her sister, university lecturer Philippa Goodwin, killed herself: Because she’d been fleeced, dumped, and ghosted by Patrick Jennings, who’d bilked her out of 75,000 pounds before he took his departure from her life and her cellphone records. While he’s waiting to see if Jennings has any record of having done this before, as he surely must have done, or has left any traces the Met can follow up, Thorne is pulled into another case: the murder of 17-year-old Kevin Deane on Margate Beach. The surveillance cameras that have redefined the turf of contemporary British mysteries indicate that Kevin was bashed to death very shortly after he had sex with a woman who’s vanished as completely as Patrick Jennings. In fact, as Billingham reveals at a moment guaranteed to catch the savviest readers off guard, the two fugitives have found each other and are locked in a larcenous folie à deux bound to claim more victims, including perhaps each other. The development of their unholy union, which has more layers than an onion, is so compelling that it shunts Thorne and his mates to supporting roles and virtually guarantees an anticlimactic ending. But Billingham, sweating both logistical and psychological details, creates a deepening sense of nightmarish surrealism along the way until Thorne has to acknowledge that “there was very little about this case that wasn’t weird.”
An object lesson in how to take an established series into shockingly deep waters without losing the thread that keeps the franchise going. The detection that normally drives each entry is the least of this one’s dark appeal.Pub Date: June 4, 2019
ISBN: 978-0-8021-4736-3
Page Count: 400
Publisher: Atlantic Monthly
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An addictive psychological thriller.
When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.
Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.
An addictive psychological thriller.Pub Date: May 19, 2015
ISBN: 978-0-06-236225-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
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