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A VERY PRINCIPLED BOY

THE LIFE OF DUNCAN LEE, RED SPY AND COLD WARRIOR

A murky effort exacerbated by myriad shadowy agencies and a deeply unsympathetic protagonist.

An obscure wartime spy working for the OSS, the wartime precursor to the CIA, gets a thorough exposé by a government lawyer and former CIA officer.

Bradley’s sense of frustration at how this arrogant, dissembling underling of William Donovan got away with passing information to the Soviet spy network is partly explained by the general atmosphere of fear raging after the war and the fact that the American government had bigger fish to net—e.g., Alger Hiss. Indeed, while Duncan Lee (1913–1988) did not seem to have done harm to the U.S. war effort, he did provide the Soviets with information about OSS internal employees at security risk, thus tipping off the Soviets to the status of their agents. A child of missionary evangelicals in China, a student at Yale in the 1930s and a Rhodes scholar, Lee became politically radicalized at Oxford, largely under the sway of his socialist wife-to-be, Ishbel. Visiting the Soviet Union, he grew infatuated with communism and, in 1937, announced to his horrified parents “in a mixture of scripted lecture and outright rebellion” that he and Ishbel were joining the Communist Party of Great Britain. Back in the U.S., the couple first came under the scrutiny of the FBI, under J. Edgar Hoover, when their landlady reported their “decidedly pink” views. The outbreak of war brought Lee to Washington to work with Donovan in his new intelligence service, and Lee began passing information to Mary Price, his first handler, a fellow Southerner working for Soviet agent Jacob Golos. From Price, he would be passed to agent Elizabeth Bentley, whose eventual breakdown and confession to the FBI would out Lee and dozens of others, dragging them before the House Un-American Activities Committee in 1948. Yet Lee’s subsequent work in China funneling arms to Chiang Kai-shek allowed him to fly under the radar of prosecutors.

A murky effort exacerbated by myriad shadowy agencies and a deeply unsympathetic protagonist.

Pub Date: April 29, 2014

ISBN: 978-0-465-03009-5

Page Count: 384

Publisher: Basic Books

Review Posted Online: Feb. 12, 2014

Kirkus Reviews Issue: March 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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