If Joseph Conrad and H.G. Wells had cowritten scripts for Gilligan’s and Fantasy Island[s], they probably would have come up with something about as bad as this overinflated comic melodrama by the popular author of Crazy in Alabama (1993), etc. The story begins in 1972 when good-old-boy folk-rock superstar Ben “Superman” Willis is overtaken by a violent thunderstorm while flying his private plane and crashes it on a remote tropical island. He’s hauled out of the wreckage badly injured, and nursed back to health by a group of odd people who seem to have fled their past lives, including Daisy, a supernaturally luscious blond who looks exactly like . . . . Yes, Virginia, this is indeed Shangri-la (or Childress’s version of it), and numbered among the islanders are exact likenesses of “Anastasia. D.B. Cooper. Michael Rockefeller . . . Amelia Earhart . . . Marilyn Monroe . . . Jimmy Hoffa,— as well as a pill-dispensing “doctor” who claims they’re all his psychiatric patients and, lurking in the background, a string-pulling “Magician” who turns out to be exactly the famous disappeared person you expect him to be. “Superman” recovers—most visibly in a wild beachside sex scene with the compliant Daisy—and, appalled by evidence that the pristine “Isla del Mago” will fall victim to developers, undertakes a preemptive guerrilla campaign that climaxes with the grand opening of the Jungle Inn, a celebrity bash featuring Jerry Vale and Helen Reddy (whose “I Am Woman” is the object of the book’s best gag). Childress nods in the direction of involving Ben’s “widow” Alexa (the former Miss Southwest Louisiana) and son Ben Jr. in the narrative (the latter’s journey to find his missing father occupies a sizable fraction of the text), and both show up in time for the feel-good ending. But their presences are nominal, in a novel that’s very indifferently structured and nowhere near as engaging as its author seems to think. This one never takes off. Childress isn’t doing much more than taxiing, in what is pretty clearly his weakest book yet.
Pub Date: June 1, 1998
ISBN: 0-375-40021-4
Page Count: 368
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 1998
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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