An intriguing but uneven crime tale.
In this World War II thriller, a British detective tries to investigate a series of possibly connected murders that involve espionage and illicit art dealing.
In 1942, DCI Frank Merlin of Scotland Yard has his hands full—London is brimming with American soldiers and the crimes they often commit and stymied by the fact that the United States military is permitted to autonomously govern its own affairs. A series of murders—at least one of which may have been committed by an American soldier—occurs in quick succession. Tomas Barboza, a Spaniard working for MI6, is found murdered, his throat slit. Then Frederick Vermeulen is shot in the head neatly, a mark of professional precision. Vermeulen was also a British spy and had infiltrated the Germans as a double agent. Moreover, he was brokering a shady art deal for Calouste Sarkis Gulbenkian, an extravagantly rich oil tycoon. The art in question: two authentic works by Leonardo da Vinci almost certainly stolen from a Jewish family by the Nazis. The seller is Leo Van Buren, whose “business empire was taken over lock, stock and barrel” by the Germans after they “swept into Holland.” Van Buren turns up in the Thames, another murder victim. In this ambitious tale, readers are challenged to connect the dots between these different crimes which may or may not be entangled within a single, conspiratorial skein. Ellis constructs a tableau of London during the war that is as captivatingly vivid as it is edifying, one riven by crime and strained by the presence of foreigners not quite subject to British law. In addition, the author deftly depicts the luridly murky art market that emerged during the war, one perfect for cultural predators. But the plot is overly complicated—readers will need an Excel spreadsheet to properly track all the characters and the subplots to which they belong. This narrative density becomes so prohibitive that it finally hampers the story’s energy and momentum.
An intriguing but uneven crime tale.Pub Date: May 19, 2022
ISBN: 9781786159885
Page Count: 413
Publisher: Headline Accent
Review Posted Online: Nov. 14, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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