A searing narrative that starkly reveals the full tragedy of the refugee crisis.
Wentling’s novel offers an intimate depiction of the migrant crisis that sheds light on hidden suffering.
In 2003, Alya Tsehay Adal,an Ethiopian woman, leaves her home country, her grandmother, and her daughter to find work abroad: “Her survival and the lives of her child and family depended on the money she would send them from working in another country. For her, it was a matter of life or death.” Determined to support her family, she navigates a shadowy bureaucracy before finally landing a job as a domestic worker for a wealthy family in Dubai. Her life there is precarious as she struggles to balance her child care and cleaning duties. After the family fires her for falling ill, Alya perseveres and finds work with others in the city. Her position is still far from secure; she must leave more than one job to avoid sexual advances from male family members. Even when she finds better employers, they’re not always welcome in the United Arab Emirates, since they themselves are religious and ethnic minorities. After barely surviving a mysterious illness, Alya takes even riskier chances and gets caught up in the pitiless world of human trafficking. After a lonely stint as a maid in Iraq, her desperation increases, and she risks her life once again. Throughout, Wentling paints a thorough and horrifying portrait of people caught up in a brutal system, illuminating the complex trials and humiliating experiences that migrant workers endure. The straightforward depictions of Alya’s relationships with her employers underscore how the latter treat workers as disposable human beings. Detailed portraits of Ethiopian and Emirati life and customs provide informative context. Against this vivid background, Alya herself sometimes seems more like an underdeveloped cipher than a full-fledged protagonist. Still, the overall picture of a growing crisis is damning in its texture and detail.
A searing narrative that starkly reveals the full tragedy of the refugee crisis.Pub Date: N/A
ISBN: N/A
Page Count: 193
Publisher: Manuscript
Review Posted Online: Jan. 23, 2024
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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