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LOST AND FOUND IN JOHANNESBURG

A MEMOIR

An often moving account of the ways we navigate our emotional and geographical landscapes.

A journalist and author from Johannesburg uses maps to retrace the boundaries of his boyhood, the dimensions of apartheid and the geography of imagination.

Gevisser, who has published previously about his native country (A Legacy of Liberation: Thabo Mbeki and the Future of the South African Dream, 2009, etc.) and wrote the script for the documentary The Man Who Drove with Mandela (1999), returns with an intimate journey through his life, a journey that took a wicked detour in January 2012 when he and two close friends suffered a brutal home invasion. The author begins with some brief pages about the event, mentions it again a few times in the ensuing narrative (it swims, sharklike, just below the surface of the text), then focuses on it in a 40-page section near the end. The author, who is Jewish and gay, writes affectingly about both these aspects of his life, but it was geography, initially, that consumed him as a boy. He loved to play a self-invented game called “Dispatcher,” in which he used a map book to imagine lives and journeys; he often played for hours per day. (The game returns in the final section of his text.) Gradually, Gevisser guides us through his life—his family, schooling, travels, love of books and writing, and his dawning awareness of his sexual orientation, apartheid and danger. He includes many maps and photographs, some of which sent him into library archives. He includes accounts of his interviews with people from all walks of Johannesburg life, including a woman who guided him through the township of Alexandra. The home-invasion section is wrenching to read—though the author had the resources to visit therapists and to get away into the mountains with his partner, whom he refers to only as “C.”

An often moving account of the ways we navigate our emotional and geographical landscapes.

Pub Date: April 15, 2014

ISBN: 978-0-374-17676-1

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: Feb. 15, 2014

Kirkus Reviews Issue: March 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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