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MATTERS OF PRINCIPLE

AMERICA'S REJECTION OF THE BORK NOMINATION

Here, the former Chief Counsel to the Senate Judiciary Committee contends, not always plausibly, that the Senate's 1987 rejection of Supreme Court nominee Robert Bork was a principled rebuff by the American people of a jurisprudential radical. In explaining his judicial philosophy in The Tempting of America (1990), Bork contended that the Senate's rejection of his candidacy for the Supreme Court illustrated the deplorable politicization of America's legal system. He also argued that his theory of ``original intent''—that is, that judges should construe the Constitution and especially the Bill of Rights narrowly and in accordance with the perceived intent of the original draftsmen of these texts, and without finding unenumerated rights in them—is the only legitimate interpretive framework. Gitenstein does little to dispel Bork's charge of politicization: His vivid descriptions of Sen. Joseph Biden's meetings with media and liberal-interest groups demonstrate plainly the nomination-process's political dimension. But he makes an arresting case that Bork's philosophy of originalism radically departs from the jurisprudential mainstream and that, if accepted by the full Court, it would have resulted in the repudiation of a half century of case law in the areas of civil rights, privacy, voting rights, and other fields. Gitenstein is less persuasive when he appears to argue, frequently citing opinion polls, that Bork's defeat was the result, not of a partisan political campaign, but of a considered judgment by the American people of Bork's judicial philosophy. He asserts finally that although the Senate was unable to prevent the creation of a conservative majority on the Supreme Court in the wake of Bork's defeat, the post-Bork Court is considerably more solicitous of ``unenumerated rights'' of individuals than if Bork were on the Court. Historically valuable as a politically partial account of the Bork nomination, but inadequate as an examination of Bork's jurisprudence.

Pub Date: Oct. 1, 1992

ISBN: 0-671-67424-2

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1992

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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