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THE SPOOKY BOX

For those pleasantly surprised and inspired by the title’s open-endedness, though, possibilities abound for creative writing...

A sophisticated attempt to build suspense and awaken the imagination may ultimately fail to deliver a satisfying conclusion for most readers.

A loud knock at the door alerts the narrator that a box has come. It is black; it is “a spooky box.” The narrator wonders, “what’s inside?” A graphic adventure follows as the text invites readers to speculate on just what might be in the mysterious box. “It could be full of bats! / Or filled with rats!”—or spiders, bones, snakes or a cake. Utilizing a limited palette of starkly contrasting black, white and yellowy orange, Gonyea imagines vivid dark shapes that emerge from the box with creepy intensity. Serpents with white-triangle eyes zigzag across one spread, while a squid unfurls itself from the black square’s confines. Then there is a thump that heightens the anticipation. It cannot be candy, but maybe it’s a “ton of toads” or a robot “with laser eyes and a kung-fu claw!” If readers are brave enough, they will discover a vertical flap that opens to reveal…“two more spooky boxes!” And so it goes on for another two spreads, never revealing what’s in the boxes but asking readers to speculate some more—and disappointing many, who will justifiably feel they’ve been left hanging.

For those pleasantly surprised and inspired by the title’s open-endedness, though, possibilities abound for creative writing or art activities. (Picture book. 4-7)

Pub Date: July 2, 2013

ISBN: 978-0-8050-8813-7

Page Count: 32

Publisher: Henry Holt

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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