A moving account of love and mourning.
A couple, devastated by the sudden loss of their young daughter, search for a reprieve from their grief.
Joy Rosenberg has an enviable if ordinary life—she has a devoted and successful husband, a fulfilling career as a designer, and two beautiful children. Her storybook world shatters, though, when her 10-year-old daughter, Jenny, suddenly dies in a freak accident. Friends and family close ranks to provide support, but their compassion can be suffocating. In one scene beautifully drawn by debut author Gunther, a neighbor barges into the house insisting she cook the Rosenbergs an elaborate meal and takes umbrage when told her unannounced visit is an intrusion. Guilt overwhelms Joy—Jenny died alone in her car while her mother quickly ran to an ATM. And even years afterward, she struggles with a return to the quotidian—her husband, Danny, immerses himself so fully in his work his “grief was becoming indiscernible.” Meanwhile, she still makes daily “pilgrimages” to Jenny’s now unoccupied room, a torturous rite of anguish. She turns to the distractions of yoga and work, accompanies Danny to a support group meeting, and solicits guidance and consolation from Judaism, all to no avail. Eventually, her marriage falters under the weight of their loss, and she’s tormented by the impact the tragedy will have on her son, Jake, who was 6 when Jenny died. Gunther powerfully depicts Joy’s despair and her inconsolability despite outpourings of love and support. The story is achingly sad, but the author manages to interject wry humor into its darkness: “I feel like the eternal battle between good and evil is going on inside me, like I can change the future of the universe. And I have to do the laundry?” Here and there, editorial markings remain within the manuscript, which can obscure the text and lead to confusion. Nonetheless, this is an unflinching exploration of heartache in its most extreme expression.
A moving account of love and mourning.Pub Date: April 20, 2018
ISBN: 978-1-63393-546-4
Page Count: 232
Publisher: Koehler Books
Review Posted Online: Sept. 11, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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