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WITHOUT JENNY

A moving account of love and mourning.

A couple, devastated by the sudden loss of their young daughter, search for a reprieve from their grief. 

Joy Rosenberg has an enviable if ordinary life—she has a devoted and successful husband, a fulfilling career as a designer, and two beautiful children. Her storybook world shatters, though, when her 10-year-old daughter, Jenny, suddenly dies in a freak accident. Friends and family close ranks to provide support, but their compassion can be suffocating. In one scene beautifully drawn by debut author Gunther, a neighbor barges into the house insisting she cook the Rosenbergs an elaborate meal and takes umbrage when told her unannounced visit is an intrusion. Guilt overwhelms Joy—Jenny died alone in her car while her mother quickly ran to an ATM. And even years afterward, she struggles with a return to the quotidian—her husband, Danny, immerses himself so fully in his work his “grief was becoming indiscernible.” Meanwhile, she still makes daily “pilgrimages” to Jenny’s now unoccupied room, a torturous rite of anguish. She turns to the distractions of yoga and work, accompanies Danny to a support group meeting, and solicits guidance and consolation from Judaism, all to no avail. Eventually, her marriage falters under the weight of their loss, and she’s tormented by the impact the tragedy will have on her son, Jake, who was 6 when Jenny died. Gunther powerfully depicts Joy’s despair and her inconsolability despite outpourings of love and support. The story is achingly sad, but the author manages to interject wry humor into its darkness: “I feel like the eternal battle between good and evil is going on inside me, like I can change the future of the universe. And I have to do the laundry?” Here and there, editorial markings remain within the manuscript, which can obscure the text and lead to confusion. Nonetheless, this is an unflinching exploration of heartache in its most extreme expression. 

A moving account of love and mourning.

Pub Date: April 20, 2018

ISBN: 978-1-63393-546-4

Page Count: 232

Publisher: Koehler Books

Review Posted Online: Sept. 11, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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