Another madcap crime caper, one with a little temper and a dirty mind.

READ REVIEW

BLOWN

When a Wall Street trader rips off $17 million of his brokerage’s cash, it initiates an island-hopping chase across the Caribbean.

Smith’s (Raw, 2013, etc.) novels are an acquired taste but often leave readers wanting more. Here, he delivers a comic crime novel inspired by the criminal character of Wall Street and its modern-day robber barons. A prologue finds a main character stranded on the high seas, imprisoned by a stranger. Next, meet our “bad guy.” Bryan LeBlanc is a trader on his company’s foreign exchange desk, and the former boy genius is embittered—not a Fight Club burn-the-world-down anarchist but more of a disaffected sort who’s convinced himself his theft is sticking it to the man. “Call it dropping out or early retirement, but somebody had to show that those [Wall Street] values were corrupt; exploiting people didn’t lead to happiness,” Smith writes. “He could make a stand for a better world, inflict some hurt on a big bank—all that and get a tan.” His theft is the catalyst for a rapid, funny, and often lewd pursuit across the West Indies by a quirky cast. Those on the chase include Bryan’s boss, Seo-Yun Kim, a Korean-American savant with an eccentric personality and a blossoming sexual appetite; Neal Nathanson, the bank’s lovelorn internal investigator; and eventually Piet Room, the book's most interesting character, a dwarf ex-cop with the swagger and charm of Tyrion Lannister. Smith works out the mechanics of his heist beautifully, including the inconvenience of hauling around millions in cash and the inevitability that someone dangerous is going to catch up to you eventually, while still throwing in the occasional graphic jolt to make sure you’re paying attention. Smith isn’t always the best at sticking the landing (hello, deus ex machina), but readers will have enough fun here to push the boundaries of plausibility a little.

Another madcap crime caper, one with a little temper and a dirty mind.

Pub Date: June 12, 2018

ISBN: 978-0-8021-2814-0

Page Count: 304

Publisher: Black Cat/Grove

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

Did you like this book?

No Comments Yet

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

An exuberant comic opera set to the music of life.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

DEACON KING KONG

The versatile and accomplished McBride (Five Carat Soul, 2017, etc.) returns with a dark urban farce crowded with misjudged signals, crippling sorrows, and unexpected epiphanies.

It's September 1969, just after Apollo 11 and Woodstock. In a season of such events, it’s just as improbable that in front of 16 witnesses occupying the crowded plaza of a Brooklyn housing project one afternoon, a hobbling, dyspeptic, and boozy old church deacon named Cuffy Jasper "Sportcoat" Lambkin should pull out a .45-caliber Luger pistol and shoot off an ear belonging to the neighborhood’s most dangerous drug dealer. The 19-year-old victim’s name is Deems Clemens, and Sportcoat had coached him to be “the best baseball player the projects had ever seen” before he became “a poison-selling murderous meathead.” Everybody in the project presumes that Sportcoat is now destined to violently join his late wife, Hettie, in the great beyond. But all kinds of seemingly disconnected people keep getting in destiny's way, whether it’s Sportcoat’s friend Pork Sausage or Potts, a world-weary but scrupulous white policeman who’s hoping to find Sportcoat fast enough to protect him from not only Deems’ vengeance, but the malevolent designs of neighborhood kingpin Butch Moon. All their destines are somehow intertwined with those of Thomas “The Elephant” Elefante, a powerful but lonely Mafia don who’s got one eye trained on the chaos set off by the shooting and another on a mysterious quest set in motion by a stranger from his crime-boss father’s past. There are also an assortment of salsa musicians, a gentle Nation of Islam convert named Soup, and even a tribe of voracious red ants that somehow immigrated to the neighborhood from Colombia and hung around for generations, all of which seems like too much stuff for any one book to handle. But as he's already shown in The Good Lord Bird (2013), McBride has a flair for fashioning comedy whose buoyant outrageousness barely conceals both a steely command of big and small narrative elements and a river-deep supply of humane intelligence.

An exuberant comic opera set to the music of life.

Pub Date: March 3, 2020

ISBN: 978-0-7352-1672-3

Page Count: 384

Publisher: Riverhead

Review Posted Online: Dec. 9, 2019

Kirkus Reviews Issue: Jan. 1, 2020

Did you like this book?

No Comments Yet
more