So many twists it’s practically gyrating, but an undeniably spry and rousing espionage tale.
A disgraced journalist tackles a story his newlywed wife had been covertly researching, involving Russians, spies, and murder at an Alaskan ski resort in this thriller.
It’s been three years since Jake Boxer’s career-ending rant on his news show, Bullseye, arguing that Russians killed soundman Brody White for his audio evidence of a secret intelligence project. Having moved on from the news world and planning to take the LSAT, Jake’s now on his honeymoon in Blind River, Alaska, with former producer and Brody’s fiancee, Claire O’Donnell. Claire, however, now a travel writer, may be working on a big story. Not that she’ll tell her husband anything—Jake’s left to wonder why she disappears for a few hours their first day and later doesn’t answer texts. The following day, Jake spots Claire boarding the ski lift with an unfamiliar snowboarder and grabs a ride a few seats behind them. Shockingly, the steel cable snaps, and skiers, including Jake and Claire, plummet to the ground below. An injured, temporarily wheelchair-bound Jake returns to the hotel alone, only to be surprised by Claire’s iPhone, which she’d used to monitor rooms she’d evidently bugged. Hoping to divine Claire’s subject matter, Jake sifts through theories, from a just-executed man claiming to be a CIA assassin to a Russian artist and her much-desired painting. The convoluted plot, a hotel filled with villains or possibly none at all, is surprisingly focused almost exclusively from Jake’s perspective. Jake, for starters, is definitely likable, earning Claire’s love and support by abandoning his “first wife,” Bullseye. But readers know only what Jake does, so even if he’s merely paranoid, his various conjectures on what’s happening epitomize a dedicated man piecing together a puzzle. The narrative, too, fittingly relays his emotional state: Jake’s hatred of the chairlift is ultimately well-founded, while repeated back spasms make simple tasks arduous experiences. The likelihood of being surrounded by spies and/or killers gives the tale an unnerving edge, but Hosack (Identity, 2012) injects some humor. For example, when concierge and (probable) ally Al asks about the targets of Claire’s extensive eavesdropping, Jake, perhaps prematurely, assures him, “Just the bad guys.”
So many twists it’s practically gyrating, but an undeniably spry and rousing espionage tale.Pub Date: Sept. 13, 2016
ISBN: 978-0-9978505-2-9
Page Count: 336
Publisher: Wide Awake Books
Review Posted Online: Aug. 10, 2016
Kirkus Reviews Issue: Sept. 1, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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