A mighty entertaining espionage thriller with elements that bring to mind The Magnificent Seven.
An attempt to spy on the rich and powerful takes a deadly turn in Joseph’s (The Wild Card, 2001, etc.) latest thriller.
Every year for more than a century, members of San Francisco’s all-male Bohemian Club, “a veritable bastion of global power and privilege,” have gathered for a midsummer encampment among the redwoods near idyllic Monte Rio on California’s Russian River. This year, four wild and crazy townies, who call themselves “The Russian River Society of Pirates and Thieves,” look forward to their own tradition—using the most advanced technology available to spy on these politicians, CEOs, and other major players as they behave “like the rowdy fraternity boys many of them once were.” It turns out that the Bohemian Club lies in the cross hairs of a Russian cartel that wants revenge on five American oil companies—each one led by a Boho—for fouling up a natural gas pipeline deal. FBI agent Teddy Swan and his partner, Paul Kruger, pay an unexpected visit to the Pirates; he wants them to help the agency in protecting the Bohos from terrorist attack. Also assisting is the Pirates’ favorite local deputy, the motorcycle-riding Officer Alice. After a long-winded preface, Joseph delivers a fun, fast-paced story, filled with diverse characters—some old (such as 70-year-old Butler Rhodes, one of the Pirates and a former sniper in Vietnam), some youngish (30-year-old math teacher Phillip Mercier), and many eccentric or geeky. Along the way, he offers strong descriptions (Rhodes, for example, is “Grizzled, tough as cheap jerky”), and realistic dialogue. It’s unclear exactly why the book is in 2009, however—although it may be to avoid discussion of the current political situation in the United States, or of more cutting-edge spy tech.
A mighty entertaining espionage thriller with elements that bring to mind The Magnificent Seven.Pub Date: Nov. 15, 2018
ISBN: 978-1-68433-142-0
Page Count: 300
Publisher: Black Rose Writing
Review Posted Online: Nov. 8, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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