A mighty entertaining espionage thriller with elements that bring to mind The Magnificent Seven.

MONTE RIO

An attempt to spy on the rich and powerful takes a deadly turn in Joseph’s (The Wild Card, 2001, etc.) latest thriller.

Every year for more than a century, members of San Francisco’s all-male Bohemian Club, “a veritable bastion of global power and privilege,” have gathered for a midsummer encampment among the redwoods near idyllic Monte Rio on California’s Russian River. This year, four wild and crazy townies, who call themselves “The Russian River Society of Pirates and Thieves,” look forward to their own tradition—using the most advanced technology available to spy on these politicians, CEOs, and other major players as they behave “like the rowdy fraternity boys many of them once were.” It turns out that the Bohemian Club lies in the cross hairs of a Russian cartel that wants revenge on five American oil companies—each one led by a Boho—for fouling up a natural gas pipeline deal. FBI agent Teddy Swan and his partner, Paul Kruger, pay an unexpected visit to the Pirates; he wants them to help the agency in protecting the Bohos from terrorist attack. Also assisting is the Pirates’ favorite local deputy, the motorcycle-riding Officer Alice. After a long-winded preface, Joseph delivers a fun, fast-paced story, filled with diverse characters—some old (such as 70-year-old Butler Rhodes, one of the Pirates and a former sniper in Vietnam), some youngish (30-year-old math teacher Phillip Mercier), and many eccentric or geeky. Along the way, he offers strong descriptions (Rhodes, for example, is “Grizzled, tough as cheap jerky”), and realistic dialogue. It’s unclear exactly why the book is in 2009, however—although it may be to avoid discussion of the current political situation in the United States, or of more cutting-edge spy tech.

A mighty entertaining espionage thriller with elements that bring to mind The Magnificent Seven.

Pub Date: Nov. 15, 2018

ISBN: 978-1-68433-142-0

Page Count: 300

Publisher: Black Rose Writing

Review Posted Online: Nov. 8, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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