Another Mob book? Tricky fictional terrain, to be sure, but first-timer Kriegel pulls it off by setting his gangster mini-saga in a domesticated, minor key. The wiseguys here are a clutch of real dimwits. It's a testament to New York Daily News columnist Kriegel's ear that he nails so solidly their thick-skulled chatter. Former boxer Frank Battaglia is a perpetual number-two tough guy: He serves his boss, the Fatman, while encouraging cousin Philly Testa to sanction the hit that will crown Philly the new boss and install Frank as his lieutenant. Frank's position in the Family isn't the only thing on his mind. He has a moody teenaged son, Nicky, who's reeling from the suicide of his brother, Buddy. Add to that Frank's two-decade- old memory of his defeat in a career-making boxing bout, along with a New York criminal landscape changing too fast for the old-style mobsters to maintain their influence, and someone's bound to screw up. The Fatman goes down, but Frank leaves a witness, Samantha Broderick, an ex-punk diva and reformed junkie who was the Boss's newest companion. Frank has been forcing Nicky into boxing and away from basketball, where the boy's natural talents lie, and it's Nicky's struggle against his father's violent will that dominates much of the story. Nicky submits to the pugilistic training, but he's a joke in the ring. Yet he does have some wild nights in the sack with Samantha. Frank becomes a media darling, due largely to the Runyonesque dispatches of ink-stained wretch Mushy Flynn, until the Feds compel him to turn state's evidence and go into the witness protection program with his family. Sent ahead, Nicky escapes the safe house and returns to New York, where he and his father confront their common fears. The plot wanders off at the end and barely finds its way back; such a lapse, in an otherwise impressive debut, is easy to forgive.
Pub Date: March 10, 1995
ISBN: 0-385-47494-6
Page Count: 336
Publisher: Doubleday
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 1994
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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