A valuable addition to the literature of democratic resistance.
Essays by contributors allied with the Renew Democracy Initiative on the necessity of defending democratic institutions in an anti-democratic era.
The strongest point of this useful collection is the depth and breadth of its opposition to our current illiberal atmosphere. Conservative historian Max Boot, libertarian-inclined economist Tyler Cowen, and liberal author Richard North Patterson are among those who set aside their differences and join forces against the “resurgence of political authoritarianism and extremism” following the 2016 election. As many contributors note, Donald Trump is a symptom and not a direct cause for the breakdown of democratic institutions; he did not create the sharp divisions in society, but he certainly exploits them to his own advantage. Conversely, writes the RDI’s board—chaired by chess grandmaster Garry Kasparov, no stranger to dissidence—by way of an introduction to a work that its members characterize as a modern Federalist Papers, the initiative aims to work around division to emphasize “how much we have in common: a belief in the fundamental ideas that for generations have made so much of the world free, prosperous, and safe.” The return to first principles and catholicity of the approach are admirable, and if some of the pieces are rather aridly academic, others have a populist urgency to them. For example, journalist and historian Anne Applebaum dissects the reasons behind Vladimir Putin’s embrace of authoritarians in the West—namely, to discredit democracy itself and the ideals that inform it, for which he “needs to undermine the institutions that promote them, to create chaos and discord in the democratic processes of the West and above all in Western institutions.” (One such institution, she adds, is the European Union, which Trump has so regularly reviled.) Perhaps the best piece in the collection is by journalist John Avlon, who observes with considerable understatement that "America is living through a stark departure from its best political traditions.” Other contributors include Ted Koppel, Bret Stephens, and Nancy Gertner.
A valuable addition to the literature of democratic resistance.Pub Date: Oct. 16, 2018
ISBN: 978-1-5417-2416-7
Page Count: 304
Publisher: PublicAffairs
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
The collected "pieces" of the author of Go Tell It on the Mountain form a compelling unit as he applies the high drama of poetry and sociology to a penetrating analysis of the Negro experience on the American and European scene.
He bares the brutal boners of "everybody's protest novel" from Stowe to Wright; points out that black is "devil-color" according to Christian theology and to "make white" is thus to save; reveals the positive base of Carmen Jones, movie version, as Negroes are white, that is, moral. Beyond such artistic attitudinal displays lie experimental realities: the Harlem Ghetto with its Negro press, the positive element of which tries to emulate the white press and provides an incongruous mixture of slick style and stark subject; the Ghetto with its churches and its hatred of the American reality behind the Jewish face (from which, as sufferers, so much was expected). There is a trip to Atlanta for the Wallace campaign and indignities endured; there is a beautiful essay, from which the book takes its title- of father and son and the corroding power of hate as it could grow from injustice. In Europe, there is the encounter of African and American Negro; a sojourn in jail over a stolen sheet; and last, the poignant essay of the first Negro to come to a remote Swiss village, to be greeted as a living wonder. This is not true in America, where he has a place, though equivocal, in our united life.
The expression of so many insights enriches rather than clarifies, and behind every page stalks a man, an everyman, seeking his identity...and ours. Exceptional writing.
Pub Date: Nov. 10, 1955
ISBN: 0807064319
Page Count: -
Publisher: Beacon Press
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Nov. 1, 1955
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Sharp narratives that illuminate and challenge the status quo of women's roles in the world. Slim in scope, but yet another...
Acclaimed author and Harper’s contributing editor Solnit (The Faraway Nearby, 2013, etc.) expounds on the way women are perceived in American culture and around the world.
Despite years of feminism and such activist groups as Women Strike for Peace, much of the female population in the world is often powerless, forced to remain voiceless and subjugated to acts of extreme violence in the home, on school campuses and anywhere men deem they should dominate. "Rape and other acts of violence, up to and including murder, as well as threats of violence, constitute the barrage some men lay down as they attempt to control some women,” she writes, “and fear of that violence limits most women in ways they've gotten so used to they hardly notice—and we hardly address." The few women who do stand up and shout to the world are the exception, not the rule, and Solnit provides a platform and a voice for them and the thousands who are too overwhelmed by fear and guilt to speak up. Solnit's thought-provoking essays illuminate the discrepancies in modern society, a society in which female students are told to stay indoors after dark due to the fact that one man is a rapist, as opposed to an alternate world in which male students are told not to attack females in the first place. Same-sex marriage, Virginia Woolf, the patrilineal offspring of the Bible and los desaparecidos of Argentina are artfully woven into the author’s underlying message that women have come a long way on the road to equality but have further to go.
Sharp narratives that illuminate and challenge the status quo of women's roles in the world. Slim in scope, but yet another good book by Solnit.Pub Date: May 1, 2014
ISBN: 978-1-60846-386-2
Page Count: 134
Publisher: Haymarket Books
Review Posted Online: March 30, 2014
Kirkus Reviews Issue: April 15, 2014
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