It’s pointless trying to classify or summarize Leyner’s work. By now readers who get it are prepared to buy the ticket and...
Things have been positively normal around here for a while; it must be time for another dose of Leyner (The Sugar Frosted Nutsack, 2012, etc.).
“Before I start, I’d like to say: Fuck everyone who said I was too paradoxical a hybrid of arrogant narcissism and vulnerable naïveté to succeed in life (even though they were right)” writes Leyner to set the stage. So begins the alleged autobiography of the author Kirkus once dubbed “the poet laureate of the MTV generation.” If The Tetherballs of Bougainville (1997) was about Leyner’s father, this is an affectionate if honest love letter to his mother, Muriel. Not that the gravity of family drama stops Leyner from going full-on meta with a nesting-doll scenario of such surreal dimensions that there’s no doubt it’s really him. First of all, it’s not even a straight-up autobiography. It’s a novel about Leyner performing a reading of his autobiography in the food court of the Woodcreek Plaza Mall along with his mother, a few fast-food drones—and absolutely no other audience. After an introduction by his mother, Leyner explains the origin of Gone with the Mind, which started as an autobiography in the form of a first-person shooter that begins when the author is assassinated or commits suicide. His ghost must then travel backward in time undoing the events of his life. “The, uh…the goal of the game is to successfully reach my mother’s womb, in which I attempt to unravel or unzip my father’s and mother’s DNA in the zygote, which will free me of having to eternally repeat this life.” His mother’s reaction? “It almost seems like overkill to me.” Despite the hyperstylized self-satire at work here, there’s a sweet story to be had for those who appreciate the author’s singularly outlandish wit.
It’s pointless trying to classify or summarize Leyner’s work. By now readers who get it are prepared to buy the ticket and take the ride.Pub Date: March 6, 2016
ISBN: 978-0-316-32325-3
Page Count: 256
Publisher: Little, Brown
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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