Sci-fi readers must brave a steep learning curve to venture down this series that promises black holes and dark matter (in...
Military madmen, freedom fighters, and superpowered children contend with the fulfillment of an apocalyptic prophecy on an Earth warped by alien attacks.
Lingane (Tesla Evolution, 2017, etc.) begins the Hadron Damnation sci-fi series hundreds of years into the future in the midst of an ongoing war between humankind and inscrutable parasitelike aliens. What’s left of humanity has painfully adapted, going underground under the jackboot of a military regime called the Command. Earth above is a scorched, irradiated wasteland prowled by mutants, outcast rebels, and rogue invaders (who, even when dead, wear robot exoskeletons capable of continuing their attacks). While a “Master Scientist” four centuries ago made promising advances with (suspiciously abandoned) programs of reverse-engineered alien tech, the preferred strategy of the Command is gathering intel via the cruel “Celebration” ritual, a deadly bending of time and space in which specially bred (and doomed) children exposed to the “Omega,” a captive black hole, glimpse the future. When a key prophecy begins to unfold, psychotic Gen. Grove uses the circumstances—and a pair of supernaturally gifted young people—in his own mad gambit for power and potential immortality. But, in the mucking about with the universe, alternative timelines shift like sand, leaving characters (not to mention readers) not sure quite what’s going on. “I’m filing that under incomprehensibly unbelievable,” says the macho, alcoholic, professionally and personally disgraced pilot Virgil, a misfit hero whose strenuous fight against Grove tends to morph into something like a Marvel Comics–superhero showdown or Japanese anime (the presence of mystic demigodlike adolescents among the vividly drawn characters and operatic violence fits right in with multivolume sci-fi cartoon sagas about mecha suits and science ninjas). Several mind flips throughout, right up to the to-be-continued last pages, pull the quantum rug out from under the narrative. Or as someone comments, “Reality is a bit unpredictable at the moment.” Lingane cleverly references Arthur C. Clarke at one point, though that genre grandmaster was always a lot clearer.
Sci-fi readers must brave a steep learning curve to venture down this series that promises black holes and dark matter (in every sense).Pub Date: April 27, 2017
ISBN: 978-0-9946164-5-6
Page Count: 444
Publisher: Insync Books
Review Posted Online: July 17, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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