Equal parts haunting and humorous; literally a warts-and-all gunslinger story.
In this debut novel, two killers find themselves on a collision course in the last days of the Wild West—but the march of progress will not halt supernatural forces from intervening in their conflict.
In 1912, the American frontier has been declared settled and the culture of the Wild West is in decline. One of its last bastions is Widow Tree, a town whose overweight and wealthy leaders buck the comforts of electricity and the railroad in order to attract tourists to the brothels and casinos of an ever disappearing Old West. Matt Hargreaves is a rich, heavy-drinking wastrel who was appointed a deputy of Widow Tree only because his father was the marshal. When a shootout in Canada ends with the death of a 12-year-old girl, Matt dives deeper into his excesses and is unknowingly targeted by Cpl. Justin Augustus, an omniscient, mystical force in the form of a revenge-seeking, uniformed Mountie. Meanwhile, while working a prison-transport job, the baby-faced psychopath Jody Simms finds Widow Tree and the surrounding area prime ground for indulging his lowest instincts, including rape, focusing on the frontier’s newest resident, Rachel Adler. Rachel is a complicated figure, posh, educated, and looking to carve out some part of the American West she has experienced in books for herself. Yet she, too, is haunted by portents of a demon—Simms—out to get her. Lunde’s novel is a down-and-dirty Western, opening with a penis boil and featuring plenty of viscera and corpses, the rampant and unvarnished racism of the period, and the brilliant, scatological ugliness one would expect from game-heavy diets and no indoor plumbing. Characters are venal and crass, more John Falstaff than John Wayne, and the tale uses this to great effect, sometimes disgusting readers with Simms’ sick actions or entertaining them with a closed-window farting contest between Matt and his father. Though principally a Western, the story’s fantastical flourishes are reminiscent of the early Gothic novel, with inexplicable darkness, visions of an ethereal world, haunted Mounties with dire warnings, and a singing phallus. While these facets all have big impacts on the plot, they are rarely explained to the audience. This will likely cause consternation in some readers, but it largely adds to the book’s eerie sense of adventure and mystery.
Equal parts haunting and humorous; literally a warts-and-all gunslinger story.Pub Date: July 24, 2018
ISBN: 978-1-949135-05-3
Page Count: 616
Publisher: Untreed Reads Publishing
Review Posted Online: Jan. 3, 2019
Kirkus Reviews Issue: March 1, 2019
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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