A brief, enthralling history of a specific place and time, and of an enduring American idea.
The story of America’s first hippie commune, as well as American utopianism from the Mayflower to the 1960s and beyond.
Named not for Dennis Leary’s mandate to drop out and drop acid but for the “droppings” of art its communards produced, Drop City rose haphazardly from an arid piece of goat pasture in southwestern Colorado—or rather its form rose haphazardly. The egalitarian-libertarian idea for it percolated for years in the minds of two unlikely collaborators—Eugene Victor Deb Bernofsky, a red-diaper baby from Brooklyn with a prankster streak, and Clark Richert, the artistic scion of a Midwestern Mennonite family. The two met at the University of Kansas in Lawrence in the early ’60s, and a bond was formed from their common interest in the avant-garde in politics and the arts as well as in marijuana, both as recreation and as a commodity to be grown and sold. The profits from their first bumper crop helped the pair procure the land for Drop City. In telling the ultimately sad story of this arts colony, Matthews (A Great Day to Fight Fire: Mann Gulch, 1949, 2009, etc.) creates an oral (and e-mail) history of the commune from the principals who created it, built and lived in the geodesic domes and “zomes” that characterized its architecture and publicized it to its death less than a decade after its first shelter rose in 1965—before its denizens were even labeled “hippies” by an often scornful and uncomprehending outside world. The author also delves the history of American countercultural, following a thread from Thomas Morton’s Merry Mount outside of Plymouth Colony and the Ephrata Cloister in colonial Pennsylvania to the B.F. Skinner–inspired Twin Oaks in rural Virginia, which is still going strong today. Though individual communities like Drop City may struggle and die, Matthews writes, the impulse to create them has long burned in the American imagination.
A brief, enthralling history of a specific place and time, and of an enduring American idea.Pub Date: March 1, 2010
ISBN: 978-0-8061-4058-2
Page Count: 242
Publisher: Univ. of Oklahoma
Review Posted Online: Dec. 31, 2010
Kirkus Reviews Issue: Jan. 1, 2010
BOOK REVIEW
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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