Bribery be darned, this irresistible book begs to be shared.
Wild animals take the place of Millie during and after dinnertime, until her caregiver offers an incentive to become human again.
A speech bubble coming from a character offstage says, “Millie, stop playing with your green beans.” But on the table is a robin, with a worm in its mouth, who replies, “I’m not Millie.” The back and forth continues, with various table and post-dinner directives on the verso matched by denials from a beaver, a hippo, an alligator, a cat, a kangaroo, and more (notably, never a monkey). The animal variations are cleverly matched with the child’s naughty behavior: It’s a tortoise when Millie’s accused of “dawdling”; a koala climbing the lamp says, “Sounds like you’re really frustrated with this Millie person.” The back-and-forth text using both sides of the spread creates an enjoyable rhythm, with anticipation of the next scene building to a silly conclusion in which Millie eagerly reverts back to human form—a brown-skinned girl—in exchange for a treat that’s just for her. The ink-and-watercolor illustrations make the animals seem quite at home inside while the oversized font for the adult’s speech implies the frustration we don’t need to see, keeping readers firmly on Millie’s side.
Bribery be darned, this irresistible book begs to be shared. (Picture book. 2-7)Pub Date: Nov. 26, 2019
ISBN: 978-1-101-93793-8
Page Count: 40
Publisher: Knopf
Review Posted Online: Aug. 11, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Fun times, fond friends, and a festive farmyard setting—little ones will be charmed.
Beep! Beep! Beep! Toad and Little Blue Truck get ready for a hayride.
After the titular vehicle is loaded with hay, Toad is nowhere to be found. “Beep! Beep! Beep! Where are you, Toad?” asks Little Blue Truck. All the barnyard animals look for him. Sheep searches the meadow. Goose and Duck check the pond. Others pitch in, too, but Toad seems to have disappeared…until Hen hears snoring coming from the pile of hay in the back of Little Blue Truck. Although the text’s scansion is imperfect in places (adults may want to pre-read to ensure a smooth read-aloud), the bouncy meter and rhyming text nevertheless capture the energy of the search and the farmyard community’s concern for Toad’s safety, making this a solid storytime choice. Eye-catching illustrations with rich, fully saturated colors balance the right level of detail while still highlighting the animal that is the focus of each verse. By introducing one farm animal at a time, Schertle also helps the youngest readers begin to identify barnyard animals by name and understand their unique farm homes. Traditional animal sounds are part of the text, and listeners will add them to their vocabulary. It all ends with the promised hayride, bringing the tale to a joyous ending.
Fun times, fond friends, and a festive farmyard setting—little ones will be charmed. (Picture book. 4-7)Pub Date: Aug. 18, 2026
ISBN: 9780063436121
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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