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POP!

A one-of-a-kind story of grief that’s likely to have very broad appeal.

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A young man reckons with his father’s sudden death through writing (and rewriting) fact and fiction.

When Polanzak was 17, his father literally exploded on the tennis court, vanishing in a wisp of white smoke, or so readers are told in the first chapter of Polanzak’s debut. They soon learn that this story is fiction—sort of. Subsequent chapters retell the event, adding layers of recollection, fabrication, and, ultimately, meaning. The narrative extends over a period of one week, 10 years after Polanzak’s father’s death, during which his mother asks him to speak at a bereavement group. However, he can’t imagine portraying his grief with sincerity or veracity—the central struggle of the book. This credible plot thread is, however, knotted with chapters of memoir, fiction, dream sequences, and pure rants—all attempts to tell the overall story and make sense of a senseless death. In the memoir sections, readers see Polanzak’s life divided into two different eras: before and after. They meet his father, mother, brother, and friends, and they watch his father teach him to play tennis and are invited into his teenage hangout over the household garage and, later, to his father’s grave. They also watch Polanzak become a writer and editor, trying for years to write about his parent’s demise. Fictional chapters include some of his attempts: “Milo” Polanzak discovers his dead doctor-father’s vast collection of literature and a single poem; “Martin” Polanzak’s father dies, and the family, having just remodeled the house, can find no way to remove a pink toilet from the lawn. These stories are highlights of the book, not because Polanzak’s prose is at its best—in fact, he’s quick, within the text, to critique such nascent work—but because they so vividly depict his grappling with incomprehensible loss. As he turns events over, he examines angles and slants, reality and artifice. If he edges toward self-indulgence, it seems warranted, even necessary: “What you write becomes all you’ve got,” he says. Clearly an inveterate writer, Polanzak continues until something clicks or, as he might quip, something pops.

A one-of-a-kind story of grief that’s likely to have very broad appeal.

Pub Date: March 22, 2016

ISBN: 978-0-9905169-2-7

Page Count: 244

Publisher: Stillhouse Press

Review Posted Online: April 5, 2016

Kirkus Reviews Issue: May 15, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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