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STOLEN FIGS

AND OTHER ADVENTURES IN CALABRIA

Better than gelato. Not to be missed.

Evocative, beautifully rendered travelogue/memoir by Publishers Weekly editor Rotella, recounting his adventures in Calabria, the toe of Italy’s boot and the land of his ancestry.

Although it’s the area from which most Italian immigrants originate, the south has been largely overlooked in the recent spate of books on Italy. But Rotella fell under Calabria’s spell after a quick visit with his reluctant father to his grandparents’ town of Gimigliano and for the next decade returned biannually, “like the olive, which bears fruit every two years,” according to his guide and friend Giuseppe, a postcard photographer who introduced the writer to Calabria and offered a personal interpretation of topics as varied as immigration, religion, and “the polenta heads from northern Italy.” Rotella encountered a world in which things were made, not manufactured: bread was baked in an oven fired by the wood of the olive tree, a butchered pig fed a family for six months, a dish of sautéed chicory began with a long walk to find the greens. He traces Calabria’s long history of invasion and occupation. He explores its links with mythology: Odysseus washed up on the shore of Lamezia, the Sybarites cavorted in the sulfur baths of the Grotta delle Ninfe (Cave of the Nymphs), and King Arthur reputedly loved the city of Reggio. As Rotella takes pains to feel a part of this land, he makes us privy to the Calabreses’ charming habits: their evening passegiata, their friendliness, their suspicions, their propensity to hang out in groups—“and in Calabria especially, this hanging out is an art form.” With the eye of a writer, a son, and a historian, the author searches and finds Calabria’s soul. His love of the region’s physical beauty, its people, food, celebrations, and religious devotions is infectious. “It will never attract the tourists like the rest of Italy,” Giuseppe tells him. “How lucky,” Rotella admits to thinking selfishly.

Better than gelato. Not to be missed.

Pub Date: July 1, 2003

ISBN: 0-86547-627-6

Page Count: 272

Publisher: North Point/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2003

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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