A brief but impressive debut collection.
A series of essays delicately evoking nature’s power and mystery.
Poet Mary Oliver provides the epigraph for essayist Rozema’s lyrical debut collection: “Tell me, what is it you plan to do / with your one wild and precious life?” Like Oliver—and reminiscent also of Annie Dillard and Gretel Ehrlich—Rozema meditates on wildness, living, and dying; on spirituality, transcendence, and epiphany; and on music, friendship, and longing. The roads he followed traverse the Arizona canyons where he grew up; Seattle, where he landed in 1994, “somewhat lost, or somewhat free,” after his marriage ended; the Cascades in Washington; and the rugged terrain of Alaska, where he lived in his mid-20s. A self-proclaimed “agnostic to the core,” the author recalls that in high school, as a born-again Christian, he feared missing the rapture, “the name believers give to the extraordinary moment in which Christ would sweep his righteous followers up in the twinkling of an eye.” Searching for God, he was “driven to seminary by a kind of thirst,” but he lasted only a year. Disillusioned by the church, Rozema found sacred spaces in nature: on jagged mountain peaks, in the “redemptive wilderness,” on the open road. In a sacred place, the author writes, “I feel—simultaneously—my insignificance in the universe, and my centrality in it.” Spiritual sustenance, peace, and connection often seem elusive. “I would like to enter into the freedom that comes from losing the self,” writes the author. “I would like to be fully present in each moment…freed of regrets about the past and worries about the future.” Besides exploring the geology of land and archaeology of self, Rozema chronicles his father’s loss of memory from Alzheimer’s, which left the former math professor and choirmaster disoriented and bewildered. As he lay dying, the author sat by his bedside singing hymns and recounting family stories, witnessing the mysterious moment of death, when “time and space vanish.”
A brief but impressive debut collection.Pub Date: Sept. 15, 2015
ISBN: 978-1-59709-994-3
Page Count: 144
Publisher: Boreal/Red Hen Press
Review Posted Online: June 14, 2015
Kirkus Reviews Issue: July 1, 2015
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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