Oscillates between earnestness and slapstick, and never seems quite comfortable in either.
In L.A. blogger Sarvas’s debut, a guilt-ridden 40-something doctor, stunned by his wife’s death during cosmetic surgery, tries to remake himself with the aid of two waitresses, an abridged edition of The Count of Monte Cristo and a podiatrist.
The novel opens with Harry Rent fantasizing about a raven-haired hash-slinger—Monte Cristo sandwich slinger—in the diner where he has stopped en route to his wife’s funeral. Is he just horny, or unhinged by grief? Both, it turns out. In fact, he’s presently unhinged by grief because he was horny: Poor Anna underwent breast augmentation after she learned that her hubby was consorting with prostitutes. Throughout the novel Anna’s sister, Claire, hounds her brother-in-law. Harry does feel terrible, in his narcissistic way. At the diner, he tries to impress his server-beloved by playing white knight to her older, uglier, footsore co-worker Lucille. Sarvas visits all sorts of misfortunes on Harry: On a stakeout to discover just what sorts of rich-benefactor-type good deeds Lucille might need, Harry settles outside Lucille’s bathroom window. Repulsed by her ample flesh, he’s startled into a noisy fall, then is urinated on by an avenging neighbor. As the book progresses and the humiliations mount, Harry gropes toward reclaiming his decency; he wouldn’t mind getting the girl too. Sarvas alternates present-day chapters with surprisingly affecting flashbacks from Harry’s marriage. The book is fast-paced; there are nice comic touches; and Harry is, finally, rather compelling, selfish and damaged but recognizably human. But despite the author’s stylistic resources, the novel can be ham-handed—unconvincing or unfunny in its farce, overly insistent on emotion, awkward in its omniscient narration. Many sentences are overwrought or plain clumsy: “It’s a strange, enervating paralysis that suffuses him.”
Oscillates between earnestness and slapstick, and never seems quite comfortable in either.Pub Date: May 1, 2008
ISBN: 978-1-59691-462-9
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2008
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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