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SALT MARSH DIARY

A mixed bag—a soft rejoinder of sorts to Henry Beston’s coastal classic The Outermost House (1925), slightly old-fashioned...

An unabashedly anthropomorphic celebration of life in the salt marsh.

On the Connecticut coast, NPR contributor and newspaper columnist Lender has been keeping track of the comings and goings of the birds of Long Island Sound. Here he charts, from season to season, those he sees from the fortunate vantage point of porch and yard. The first to appear is an osprey, a harbinger of good fortune to all but the fish it snags; then come the cedar waxwings, “eating the dusted bluepurple berries, touching close, unconcerned, talking to themselves as they dine.” Though crustier naturalists warn against imparting human motives and motivations to the animal world, Lender is unimpressed, writing without fear of the politics of nature, in which “you can sort the politically active from the merely vociferous by several well-worn criteria.” He coyly refers to a female woodpecker as “a little drummer girl” and attributes to the merlin a “Prussian dueling scar across his eye and Thousand-yard Stare.” For all the sentimentality and occasional heavy-handedness, it’s clear that the author knows his birds. For example, he pegs the killdeer, and its “catalogue of deceptions,” just right, and his brief glimpse of a peregrine in flight, “almost transparent in the penetrating light,” will bring a smile of recognition to anyone who has witnessed such a moment. Throughout, Lender advances an important message—that the coastal marshes must be preserved if worlds like this are to be harbored, but since we have a habit of building cities atop those places, there is work to be done to keep them safe.

A mixed bag—a soft rejoinder of sorts to Henry Beston’s coastal classic The Outermost House (1925), slightly old-fashioned and sometimes cloying, but still a pleasure for the birdwatching completist.

Pub Date: April 1, 2011

ISBN: 978-0-312-65601-0

Page Count: 128

Publisher: St. Martin's

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Jan. 15, 2011

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WHY FISH DON'T EXIST

A STORY OF LOSS, LOVE, AND THE HIDDEN ORDER OF LIFE

A quirky wonder of a book.

A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.

Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.

A quirky wonder of a book.

Pub Date: April 14, 2020

ISBN: 978-1-5011-6027-1

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: Jan. 1, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THE BOOK OF EELS

OUR ENDURING FASCINATION WITH THE MOST MYSTERIOUS CREATURE IN THE NATURAL WORLD

Unsentimental nature writing that sheds as much light on humans as on eels.

An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.

In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.

Unsentimental nature writing that sheds as much light on humans as on eels.

Pub Date: May 5, 2020

ISBN: 978-0-06-296881-4

Page Count: 256

Publisher: Ecco/HarperCollins

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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