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TRAVELS ON MY ELEPHANT

``I was restless again. The last time I had been restless, I ended up being pursued by cannibals in Indonesia.'' This is how British travel-writer Shand explains why he skipped off to India to buy an elephant and ride it 800 miles from Konarak, on the Bay of Bengal, north to the Ganges River. Shand falls in love at first sight with the 30-year-old female pachyderm, which he names Tara: ``She was leaning nonchalantly against a tree, the charms of her perfectly rounded posterior in full view, like a prostitute on a street corner. I knew then I had to have her.'' The foray also includes his buddy Aditya, a drunken elephant-handler named Bhim, and a support jeep manned by two drivers—which makes the trip more like a traveling circus than an adventure. Still, the company meets a few dangers, like cobras slithering by the tent, man-eating tigers, and infrequent escape attempts by Tara herself. But elephant-love remains the central subject of the story as Shand's affection for Tara grows so strong that, when he must sell her at the bazaar in Sonepur Mela, he starts sounding like a little boy entranced by the cozy protectiveness of a mother; indeed, the handler calls Tara ``Mummy.'' Shand does find a good home for Tara, and when they part, the elephant, like a Betsy Wetsy doll, sheds real tears—or so Shand says. There's surprisingly little here on the politics of elephant preservation in a country where the population is at war with the giant creatures. But animal lovers will be charmed, since Tara ultimately comes across as an oversized pet with lots of darling human traits that demonstrate just how much like people elephants really are. (Thirty color photographs.)

Pub Date: Nov. 30, 1992

ISBN: 0-87951-454-X

Page Count: 200

Publisher: Overlook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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