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NOBODY'S SON

A MEMOIR

A moving and intense memoir from a gifted author.

A distinguished novelist and short story writer’s memoir about uncovering a painful family past he had “hidden…in fiction, story after story, book after book.”

Growing up, Slouka (Brewster, 2013, etc.) and his mother, Olinka, were “soulmates, a church of two.” She, along with the author’s father, Zdenek, had witnessed the Nazi occupation of their home country of Czechoslovakia. Despite their outward appearance as successful immigrants, however, it became clear— especially after Olinka divorced Zdenek and returned to live in Moravia—that a soul-destroying madness consumed her. Slouka examines his complicated relationship to his mother and re-creates his parents’ lives in an effort to come to terms with his own grief and guilt. In 1945, Olinka and Zdenek married. But that union, born of desperation rather than love, took place in the shadow of the abortion Olinka had of a child conceived in incest with her Nazi-sympathizer father. By 1948, Zdenek was forced to flee the country and live in exile. Just before the pair left, Olinka fell deeply in love for the first and last time in her life with F., a man to whom she continued to write even after she left Czechoslovakia for Australia with Zdenek. The correspondence ended before the Sloukas came to the United States, but a chance encounter on a trip back to Czechoslovakia nearly 30 years later brought Olinka and F. together again as lovers, until his untimely death several years later. Broken and bitter, Olinka—who could not forgive her soul-mate son for growing up and loving other women—divorced Zdenek and left the U.S. for home. Dependent on pills that accelerated the development of Alzheimer’s disease, she died “raging at the world.” Slouka’s raw candor, narrative skill, and meticulous attention to the traps of his own memory make for powerful reading. However, it is his ability to confront the darkness in his past and acknowledge it as a shaping life force that makes this book especially engrossing.

A moving and intense memoir from a gifted author.

Pub Date: Oct. 18, 2016

ISBN: 978-0-393-29230-5

Page Count: 304

Publisher: Norton

Review Posted Online: Aug. 20, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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