Smashing glass, thudding copter blades, rumbling boulders: Labyrinth has popcorn written all over it.

LABYRINTH

A clutch of action-movie set pieces in which cavers, scientists, escaped convicts, and the US Cavalry race after a moon rock hidden in a cavern.

Already sold to Paramount (with Scott Rudin producing), Labyrinth begins with what will surely become its pretitle sequence: lunar astronauts discover a rock with awesome powers of superconductivity. Thirty-two years later, moon rock 66095 turns up at a Tennessee lab where scientists search for new sources of energy. Eager to reap the rewards the rock may bring, assistant Robert Gregor garrotes his supervisor when the latter insists on credit for discovering the rock’s powers. Author Sullivan (Ghost Dance, 1999) then shifts scenes to the dysfunctional Burke family. Mother Whitney awakes again from a recurring nightmare about the drowning of a friend in a cave they’d been exploring. Traumatized, Whitney has withdrawn from husband Tom and daughter Cricket, and she refuses to join them on the Artemis Project, a NASA program that will train moon explorers in Tennessee’s vast Labyrinth Cave. Fast cross-cuts follow. Led by Gregor (who raves like a mad scientist from Superman), a group of escaped convicts force Tom and Cricket to lead them into the cave, where, it seems, rock 66095 has been hidden. Local police entreat Whitney to take them into Labyrinth to nab the escapees as mounting floods stir her fears. Lightning rends the rock, displacing so much power it sets off an earthquake that, in turn, causes a nearby dam to burst. Cricket has to rappel down a cable to rescue Gregor, who dangles beside a roaring waterfall. The US president sends in the cavalry to retrieve the rock before it triggers another Hiroshima. Finally, everyone faces off, center cave, as a prison officer pulls a twist that’s sure to bring raspberries from the peanut gallery.

Smashing glass, thudding copter blades, rumbling boulders: Labyrinth has popcorn written all over it.

Pub Date: Aug. 1, 2002

ISBN: 0-7434-3980-5

Page Count: 368

Publisher: Atria

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 1, 2002

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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The characters are paper thin, the plot twists mostly telegraphed, but the betting here is that the Baldacci army will once...

DELIVER US FROM EVIL

In Baldacci’s 19th (True Blue, 2009, etc.), boy and girl monster-hunters meet cute.

Evan Waller, aka Fadir Kuchin, aka “the Butcher of Kiev,” aka “the Ukrainian psychopath,” is one of those deep-dyed villains a certain kind of fiction can’t do without. Serving with distinction as part of the Soviet Union’s KGB, he joyfully and indiscriminately killed thousands. Now, many years later, posing as a successful businessman, he’s vacationing in Provence where, unbeknownst to him, two separate clandestine operations are being mounted by people who do not regard him with favor. Reggie Campion—28 and gorgeous—spearheads the first, an ad hoc group of monster-hunting vigilantes. Studly, tall Shaw (no first name supplied) is point guard for a rival team, shadowy enough to leave the matter of its origin ambiguous. While their respective teams reconnoiter and jockey for position, studly boy meets gorgeous girl. Monster-hunters are famous for having trust issues, but clearly these are drawn to each other in the time-honored Hollywood fashion. Shaw saves Reggie’s life. She returns the favor. The attraction deepens and heats up to the point where team-members on both sides grow unsettled by the loss of focus, singularly inopportune since, as monsters go, Waller rises to the second coming of Caligula—ample testimony furnished by a six-page, unsparingly detailed torture scene. In the end, the stalkers strike, bullets fly, screams curdle the blood, love has its innings and a monster does what a monster’s got to do.

The characters are paper thin, the plot twists mostly telegraphed, but the betting here is that the Baldacci army will once again show the stuff it’s made of.

Pub Date: April 20, 2010

ISBN: 978-0-446-56408-3

Page Count: 416

Publisher: Avon A/HarperCollins

Review Posted Online: Feb. 4, 2011

Kirkus Reviews Issue: April 15, 2010

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