A lightly wacky take on a valuable message.

THEY CAME

A small child welcomes some unexpected visitors to Earth.

Tatulli’s second picture book (Daydreaming, 2016) opens upon the star-studded, black expanse of space as a small craft makes its way to Earth. The ship lands in a swirl of mystery, and throngs of people crowd around it, wondering “why did they come? What do they want? Why are they here?” And within moments, panic ensues. A police captain yells that they must be here to steal things; a news reporter insists that they came to take over TV shows in a grab for fame; and a military general warns that they came with the simple goal of taking the entire planet. Tatulli has an eye for visual perspective designed to heighten narrative tension as the lively illustrations capture the crowd’s rising frenzy of terror and intense protective measures. All of it comes to a striking standstill when Stephen Sprout, a small child known for his trepidation, calmly calls for order and gives his own sweet explanation for the aliens’ visit. The somewhat message-driven (though animatedly so) reminder of the potential harm and isolation that fear can drive us to is certainly timely, and a youthful voice of reason never goes out of style, even if Tatulli breaks little new ground. His humans are racially diverse; Stephen has light brown skin, brown hair, and blue eyes.

A lightly wacky take on a valuable message. (Picture book. 4-7)

Pub Date: July 10, 2018

ISBN: 978-1-62672-355-9

Page Count: 40

Publisher: Roaring Brook Press

Review Posted Online: April 25, 2018

Kirkus Reviews Issue: May 15, 2018

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Halloween is used merely as a backdrop; better holiday titles for young readers are available.

THE LITTLE GHOST WHO WAS A QUILT

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles.

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YOU MATTER

Employing a cast of diverse children reminiscent of that depicted in Another (2019), Robinson shows that every living entity has value.

After opening endpapers that depict an aerial view of a busy playground, the perspective shifts to a black child, ponytails tied with beaded elastics, peering into a microscope. So begins an exercise in perspective. From those bits of green life under the lens readers move to “Those who swim with the tide / and those who don’t.” They observe a “pest”—a mosquito biting a dinosaur, a “really gassy” planet, and a dog whose walker—a child in a pink hijab—has lost hold of the leash. Periodically, the examples are validated with the titular refrain. Textured paint strokes and collage elements contrast with uncluttered backgrounds that move from white to black to white. The black pages in the middle portion foreground scenes in space, including a black astronaut viewing Earth; the astronaut is holding an image of another black youngster who appears on the next spread flying a toy rocket and looking lonely. There are many such visual connections, creating emotional interest and invitations for conversation. The story’s conclusion spins full circle, repeating opening sentences with new scenarios. From the microscopic to the cosmic, word and image illuminate the message without a whiff of didacticism.

Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles. (Picture book. 4-7)

Pub Date: June 2, 2020

ISBN: 978-1-5344-2169-1

Page Count: 40

Publisher: Atheneum

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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