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PIGSTY

Wendell Fultz has a problem picking up after himself. His room is a war zone of toys, clothes, and food. It might even be mistaken for a pigsty. Naturally enough, some pigs move in, increasing in number as the mess grows and grows. Wendell has a fine time with his new pals, playing Monopoly, having pillow fights, bouncing on the bed. The porcine intruders disappear when mom comes for a visit. When Wendell finds his basketball deflated and chomps taken from his baseball cards, he dragoons the porkers into tidying his room. They grudgingly comply, then take their leave, Wendell's spotless digs no longer to their liking. Wendell's mended ways are confusing in a story that is artful until this point: After all the fun, the abrupt moralizing has no toehold; it's as forgettable as it was easy to come by. On the other hand, Teague's (The Field Beyond the Outfield, 1992, etc.) illustrations are searingly good, lush cartoony acrylics, and the amiable indolence of the pigs is totally capturing. You'll want to give these good-time Charlies space in your room, rent free. (Fiction/Picture book. 6-9)

Pub Date: Sept. 1, 1994

ISBN: 0-590-45915-X

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1994

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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KEENA FORD AND THE FIELD TRIP MIX-UP

Keena Ford’s second-grade class is taking a field trip to the United States Capitol. This good-hearted girl works hard to behave, but her impulsive decisions have a way of backfiring, no matter how hard she tries to do the right thing. In this second book in a series, Keena cuts off one of her braids and later causes a congressman to fall down the stairs. The first-person journal format is a stretch—most second graders can barely write, let alone tell every detail of three days of her life. Children will wonder how Keena can cut one of her “two thick braids” all the way off by pretend-snipping in the air. They will be further confused because the cover art clearly shows Keena with a completely different hairdo on the field trip than the one described. Though a strong African-American heroine is most welcome in chapter books and Keena and her family are likable and realistic, this series needs more polish before Keena writes about her next month in school. (Fiction. 6-9)

Pub Date: July 1, 2009

ISBN: 978-0-8037-3264-3

Page Count: 112

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2009

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