A visually stunning work addressing themes of peace, generosity, and forgiveness.
Van Steenwyk (The Unkingdom of God, 2013, etc.) offers an illustrated chapter book about an angry red wolf who encounters a saintly beggar king.
The Red Wolf is born into a pack that lives deep in the woods outside of the town of Stonebriar. Her parents raise her with tales of the history of her kind, the Lords of the Forest, who have slowly ceded their territory to the growth of human settlement. They also teach her the necessity of never taking more food than necessary and sharing what she has with others. The Red Wolf grows up angry; eventually, her parents die, and she loses her pack before becoming the rage-fueled Blood Wolf that haunts the dreams of Stonebriar’s residents. It takes the appearance of the Beggar King, a man of peace who holds the respect of both the townsfolk and the forest animals, to calm the Red Wolf’s anger and teach her to live in harmony with her neighbors. The Red Wolf then takes these lessons and uses them to solve a problem: a band of outlaws lives in her woods and terrorizes the surrounding towns. She must decide whether there are better solutions to cruelty than violence and whether such solutions are practical in a world short on sympathy. The story is an imaginative retelling of the legend of St. Francis and the Wolf of Gubbio; though rooted in Christian tradition, the book contains no overt religiosity, and secular parents should feel comfortable recommending it to their children. Van Steenwyk writes in sharp, muscular prose highly suitable for the fabulistic subject matter, deftly navigating both the darker and lighter segments of the story. The true standouts of the book, however, are the illustrations by Joel Hedstrom. Taking Japanese woodblock printing and Greek vases as his inspiration, Hedstrom supplements the text with full-page illustrations in brilliant colors that feel simultaneously ancient and stylishly contemporary. The result is a book out of time: a coupling of narrative and illustration that should stoke the imagination of any young modern reader.
A visually stunning work addressing themes of peace, generosity, and forgiveness.Pub Date: March 28, 2015
ISBN: 978-0986233302
Page Count: 80
Publisher: Mennonite Worker Press
Review Posted Online: March 18, 2015
Kirkus Reviews Issue: April 15, 2015
Review Program: Kirkus Indie
In her first children's book, Parton (the country music star) turns one of her songs into a saccharine tale about a girl who is so poor that her mama has to sew her a patchwork coat when the weather turns cold. (Joseph and his coat of many colors are mentioned but never explained.) Despite the girl's love for her coat, she is teased in school, which she counters by trying to explain to her classmates ``that one is only poor/if they choose to be.'' The logic here is as flawed as the grammar, and Sutton's illustrations, while competent, show a well-dressed, happy rural family who look anything but poor. The text is both clumsy and irrelevent (it ends with ``Through life I've remained happy/and good luck is on my side./I have everything that anyone/could ever want from life.'') An apparently autobiographical song that has a hard time standing on its own as a compelling children's story. (Picture book. All ages)
Pub Date: Sept. 30, 1994
ISBN: 0-06-023413-X
Page Count: 32
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 1994
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Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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