Imperfect yet earnest works celebrating love in all forms for reluctant teen readers.
Boy meets boy and falls in love in this angst-y modern reworking of Romeo and Juliet set in Winnipeg.
In this latest adaptation of Shakespeare’s most famous love story, the plot does not matter nearly as much as the characters’ sexual orientations. The lovers this time are Julian Capulet, a gay 19-year-old who uses his painting to hide from the world after being bullied, and Romeo Montague, a closeted teen jock who indulges in gay bashing to avoid confronting his sexuality. The world that Harwood-Jones depicts in this pair of companion novels (Romeo for Real tells the tale from Romeo’s point of view), in which gender fluidity is completely accepted and mothers dole out condoms and allow their children to have sex at home without judgment, feels so fantastical that it proves how far society still has to go in the quest for true acceptance. The author’s passion for diversity is evident, but the novels feel so packed with nonconformity that characters become political statements rather than three-dimensional people. Nearly every character lies somewhere on the LGBTQ spectrum, and God is referred to as female, which, while laudable, feels forced at certain points. While the theme of star-crossed teenage lovers is timeless, the novels’ viselike grip on names and plot points from Shakespeare’s play drives them into the realm of the hyperbolic. Julian is implied at least part Chinese due to his mother’s surname, but race is indeterminate for all characters. Despite their flaws, these novels provide much-needed representation for those whom society marginalizes.
Imperfect yet earnest works celebrating love in all forms for reluctant teen readers. (Fiction. 14-17)Pub Date: Aug. 1, 2018
ISBN: 978-1-4594-1292-7
Page Count: 168
Publisher: James Lorimer
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
Several yards short of a touchdown.
A transgender boy starting over at a new school falls hard for a popular cheerleader with a reputation to protect in this debut.
On the first day of senior year, transgender boy Pony locks eyes with cisgender cheerleader Georgia. They both have pasts they want to leave behind. No one at Hillcrest High knows that Pony is transgender, and he intends to keep it that way. Georgia’s last boyfriend shook her trust in boys, and now she’s determined to forget him. As mutual attraction draws them together, Pony and Georgia must decide what they are willing to risk for a relationship. Pony’s best friend, Max, who is also transgender, disapproves of Pony’s choice to live stealth; this disagreement leads to serious conflict in their relationship. Meanwhile, Georgia and Pony behave as if Pony’s trans identity was a secret he was lying to her about rather than private information for him to share of his own volition. The characters only arrive at a hopeful resolution after Pony pays high physical and emotional prices. McSmith places repeated emphasis on the born-in-the-wrong-body narrative when the characters discuss trans identities. Whiteness is situated as the norm, and all main characters are white.
Several yards short of a touchdown. (Fiction. 14-17)Pub Date: May 26, 2020
ISBN: 978-0-06-294317-0
Page Count: 368
Publisher: HarperTeen
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
An emotionally engaging closer that fumbles in its final moments.
Lara Jean prepares for college and a wedding.
Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.
An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)Pub Date: May 2, 2017
ISBN: 978-1-4814-3048-7
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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