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THE FARMER AND THE MONKEY

A (mostly) heartwarming follow-up visit.

In this wordless picture book, Frazee’s lonely farmer hosts another visitor from the train on the horizon.

The elderly White gent first met in The Farmer and the Clown (2014) walks home from a picnic, looking rather down, unaware he is being followed by a small monkey in a red fez and yellow frill around its neck. As he settles into his empty house, he notices the smiling monkey at the window. He lets the monkey in the front door, but after a dizzying spread depicting the monkey running amok, the farmer sends the monkey out. The frowning monkey spends the night outside as snow begins to fall. The farmer awakes to deep snow and immediately goes out to rescue the monkey. After a warm fire, soup, a story, and falling asleep on the farmer’s shoulder, the monkey spends two nights at the farmer’s house; on the day in between, the farmer and his animals tolerate the monkey’s loud, wild ways. Finally, like the clown in the book before him, the monkey hears the circus train coming and goes on its way, smiles all around. Frazee’s soft colors, careful lines, and masterful compositions work their magic once again to evoke mood and feeling in a way that children can immediately grasp. The experience hits adult readers just as powerfully, though readers who decry picture-book depictions of monkeys for reinforcing negative stereotypes of Black people will find no mitigation in the monkey’s antics. (This book was reviewed digitally with 8.3-by-20.6-inch double-page spreads viewed at 54.1% of actual size.)

A (mostly) heartwarming follow-up visit. (Picture book. 5-9)

Pub Date: Sept. 22, 2020

ISBN: 978-1-5344-4619-9

Page Count: 32

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: June 29, 2020

Kirkus Reviews Issue: July 15, 2020

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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