A (mostly) heartwarming follow-up visit.
In this wordless picture book, Frazee’s lonely farmer hosts another visitor from the train on the horizon.
The elderly White gent first met in The Farmer and the Clown (2014) walks home from a picnic, looking rather down, unaware he is being followed by a small monkey in a red fez and yellow frill around its neck. As he settles into his empty house, he notices the smiling monkey at the window. He lets the monkey in the front door, but after a dizzying spread depicting the monkey running amok, the farmer sends the monkey out. The frowning monkey spends the night outside as snow begins to fall. The farmer awakes to deep snow and immediately goes out to rescue the monkey. After a warm fire, soup, a story, and falling asleep on the farmer’s shoulder, the monkey spends two nights at the farmer’s house; on the day in between, the farmer and his animals tolerate the monkey’s loud, wild ways. Finally, like the clown in the book before him, the monkey hears the circus train coming and goes on its way, smiles all around. Frazee’s soft colors, careful lines, and masterful compositions work their magic once again to evoke mood and feeling in a way that children can immediately grasp. The experience hits adult readers just as powerfully, though readers who decry picture-book depictions of monkeys for reinforcing negative stereotypes of Black people will find no mitigation in the monkey’s antics. (This book was reviewed digitally with 8.3-by-20.6-inch double-page spreads viewed at 54.1% of actual size.)
A (mostly) heartwarming follow-up visit. (Picture book. 5-9)Pub Date: Sept. 22, 2020
ISBN: 978-1-5344-4619-9
Page Count: 32
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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