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EVENING NEWS

Swick’s fourth book and second novel (following last year’s Paper Wings) is an engrossing domestic melodrama carved from the same vein mined so successfully by writers like Sue Miller and Jane Hamilton. Things begin explosively, with the accidental shooting of two-year-old Trina by her nine-year-old half-brother Teddy. Trina dies, and the story of that loss’s effect on her survivers is told in the juxtaposed narratives of guilt-ridden Teddy and the children’s stricken mother Giselle. We learn that Giselle had divorced Teddy’s father Ed and fled Nebraska for southern California, where she found a fulfilling intellectual life and, eventually, marriage to her adult ed English teacher Dan Trias. The likable Giselle laboriously pulls herself through the twin ordeals of losing a child and managing not to blame Teddy (who is all but destroyed), but Dan, a much less generously realized character, cannot as well as she does. The resulting tension between the two of them drive Dan briefly away—and (in a just barely credible plot development) to the writing of a book about their loss—while Giselle (vacillating between anger and pain, between fantasies of revenge and reconciliation”) goes back to Nebraska, where Teddy, visiting his father, has preceded her, to try to pull herself together again. Swick occasionally miscalculates (Dan’s emotional confusion effectively obliterates any clear definition of his character), but she touches us by demonstrating how the Triases— efforts to resume a “normal” life are repeatedly, inevitably thwarted, and she delineates with moving restraint the progress Giselle and Ed make toward a truce. Best is her characterization of Teddy: a brave, bright, sentient kid who painstakingly learns to accept responsibility for his act, grow beyond it, and shape his future accordingly (“Now I want to learn what it feels like to save a life”). Overlong, and its insights into the psychology of grief and guilt are unexceptional. But the voice and spirit of that little boy will stay with you. (First printing of 100,000)

Pub Date: Feb. 1, 1999

ISBN: 0-316-82533-6

Page Count: 368

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1998

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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