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CATHERWOOD

On the English frontier in 17th-century American, a short walk in the woods turns into a months-long nightmare for a newly settled mother and her young daughter when they lose their way, as first- novelist Youmans brings keen insight and a relentless focus to one woman's suffering and sorrow. In 1676, having survived a tempest at sea, Catherwood and gentleman husband Gabriel, originally destined with a group of kin for Virginia, find New York's wilderness to their liking and obtain land in the Albany region. A busy round of clearing, planting, and building ensues, so that before two years pass a substantial house and gardens have been hewn out of the woods—and Cath has a one- year-old, Elizabeth, to share her days. The idyll is shattered one afternoon in May, however, when Cath misses the trail home after visiting a nearby cousin, and she and Elizabeth wander ever farther away from home while desperately searching for some sign of civilization. A knowledge of herb lore and the presence in her pack of flint, steel, and a knife keep away hunger and cold, but as spring gives way to summer, and summer to fall without any alteration in their fortunes, survival becomes less certain. Elizabeth catches a fever and dies, leaving her mother so bereft that she cannot leave her body behind. Cremating the child allows Cath to carry away a few bones, but her own mental and physical state swiftly deteriorates. In her final despair she stumbles at last on a settlement (Westfield, Mass.), where she collapses and is nursed slowly to health. The Puritans keep apart from her as a nonbeliever, but send for Gabriel at her request, and as winter arrives he appears to take her home. The tender moments between mother and child are evoked most powerfully, but the farther one moves from this intimate sphere, the less satisfying the novel becomes.

Pub Date: May 1, 1996

ISBN: 0-374-11972-4

Page Count: 188

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1996

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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