Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2020

Next book

THE GIRLS OF JERUSALEM AND OTHER STORIES

Luminous tales of exile and loss that bequeath new life.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2020

Jewish families pull apart under the strain of war, persecution, and longing in Berkman’s story collection.

This set of stories explores the Jewish experience in a wide variety of historical settings. “Passion” paints a plangent yet exuberant portrait of 17th-century philosopher Baruch Spinoza, whose rationalist questioning of Scripture gets him banished from Amsterdam’s synagogue. Several stories follow Eastern European Jews enmeshed in early-20th-century disasters. In the harrowing “Vilna,” two brothers in World War II–era Lithuania separate; one escapes to America while the other weathers the Nazi occupation as it destroys the local Jewish population. “In the Time of Dreams” follows a woman living in the Soviet Union’s Jewish colony in Siberia in the 1930s as it devolves from socialist idealism to a Stalinist nightmare; and in Miracles: A Novella, a family of Ukrainian Jews flees a pogrom to New York City—a strange new world that makes them seem like strangers to one another. A suite of stories are set in postwar California among middle-class Jewish suburbanites; for them, the Holocaust is a distant memory that barely shadows their comfortable but discontented lives. In “Ghosts,” a woman who fled Nazi Germany in childhood is estranged from her adopted daughter and mentally ill son; in “Grisha,” a son reconnects with his cantankerous mother after she moves to Jerusalem, where she finds her roots and a soul mate; and in the title story, a young mother’s affair with her rabbi upends two families but enables her to discover her true self. Berkman’s characters are wanderers—often physically, as they migrate to escape poverty and violence (“we said good-bye as though we would never see each other again,” is a typical refrain), but also spiritually, as they pursue desires that run up against social expectations or fraying relationships. Her stories are grounded in a realism made poetic, but they also have an aching sense of evanescent mystery, as in “Ghosts”: “There was a shadow family and shadow cousins and aunts and uncles, and a shadow place with a strange name where her mother had grown up.” The result is an engrossing fictional world with real literary depth.

Luminous tales of exile and loss that bequeath new life.

Pub Date: N/A

ISBN: N/A

Page Count: 451

Publisher: Manuscript

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: July 15, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 178


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 178


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 479


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 479


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Close Quickview